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Kendra Jones

director . writer . dramaturg . instructor
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impel theatre blog

Burgeoning academic.
Creator of things to read & experience. Thinks too much.
Analyzes everything. 

Reviews are meant to catalogue, interrogate, and challenge what I see.

All opinions are just that -- opinions. 

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra JonesPhoto by John Gundy

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra Jones

Photo by John Gundy


Sunny days ☀️
Happy Mother’s Day, Canadians 

#anarchyintheuk
Tangled.

Found in Commercial Street.
#london #spitalfields #streetart
Happy birthday @bonks21 ! If these pictures don’t exemplify our relationship, nothing does. Here’s to this summer’s European adventure which trades Scottish mountains for Parisian staircases.
❤️

Found in High Holborn, London
Just hanging out. 

Found in Commercial Street. 

#london #eastlondon #wheatpaste #streetart
Outside David Garrick’s house, on the banks of the Thames; his Temple to Shakespeare.

#hampton #temple #shakespeare
Saw Hate Radio at @batterseaartscentre - thought some things. You can read them on the blog, link in bio.

#theatre #archive #review #milorau #bac
Saw Book of Mormon the other week. Thought some things. You can read them on the blog- link in bio

📸: Prince of Wales Theatre ceiling
Our appetite and capacity to digest fragmented narrative is expanding.

@jordan.tannahill - Theatre of the Unimpressed 

#reading #theatre #mediums #mediation #experiences

tweets


Aladdin @ Watford Palace Theatre

January 01, 2025

Watford’s panto offering this year benefits from a strong cast of highly talented performers, strong musical direction, and clever and inventive design. Re-imagining the story of Aladdin, there are hijinks and a little magic. There are talking animals - the monkey sidekick you expect (an incredible Kate Donnachie) but also a duck (replacing the princess’ confidant tiger), and a frog — not sure of the reason for the frog other than a single (very funny) bit. 

The design really shines, with the lights in particular working extra time to create many magical stage moments. The illusion in particular to create the flying carpet is achieved to outstanding effect.

The script isn’t the greatest, but it is more than made up for by the talented cast, who squeeze every drop of comedy out of it; in particular John Henry Falle as Abanazer the villain is delightful in his improvised banter with the audience. 

Overall a a strong performance supported by great design, which covered for an okay script. 

Tags: Review, watford palace, pant
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