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Kendra Jones

director . writer . dramaturg . instructor
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impel theatre blog

Burgeoning academic.
Creator of things to read & experience. Thinks too much.
Analyzes everything. 

Reviews are meant to catalogue, interrogate, and challenge what I see.

All opinions are just that -- opinions. 

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra JonesPhoto by John Gundy

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra Jones

Photo by John Gundy


Sunny days ☀️
Happy Mother’s Day, Canadians 

#anarchyintheuk
Tangled.

Found in Commercial Street.
#london #spitalfields #streetart
Happy birthday @bonks21 ! If these pictures don’t exemplify our relationship, nothing does. Here’s to this summer’s European adventure which trades Scottish mountains for Parisian staircases.
❤️

Found in High Holborn, London
Just hanging out. 

Found in Commercial Street. 

#london #eastlondon #wheatpaste #streetart
Outside David Garrick’s house, on the banks of the Thames; his Temple to Shakespeare.

#hampton #temple #shakespeare
Saw Hate Radio at @batterseaartscentre - thought some things. You can read them on the blog, link in bio.

#theatre #archive #review #milorau #bac
Saw Book of Mormon the other week. Thought some things. You can read them on the blog- link in bio

📸: Prince of Wales Theatre ceiling
Our appetite and capacity to digest fragmented narrative is expanding.

@jordan.tannahill - Theatre of the Unimpressed 

#reading #theatre #mediums #mediation #experiences

tweets


Tender @ SOHO Theatre

June 07, 2026

There’s a lot to like about this subversive dramedy, which centers on a group of male dancers who perform a show that sits within a loophole of legality, performing fantasy and creating a space for women to “let go”. The show takes us on the journey of these men learning through interaction with their Boss’ daughter, sent to “fix” the show, that true masculinity isn’t a partriarchal act of sexuality but actually is vulnerability.

The premise is clever, the text fine — but somehow the structure of the production doesn’t quite help it hang together (pun intended). There are almost too many ideas in the production; there’s audience participation, there’s choreography, there’s serious moments of introspection….but it just doesn’t quite connect for the power it could have. This isn’t to say it wasn’t a fun and engaging night at the theatre, but it just doesn’t quite meet its own ideals. I’d love to see a revised version that tightens up these ideas.

Tags: SOHO theatre, reviews, theatre
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