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Kendra Jones

director . writer . dramaturg . instructor
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impel theatre blog

Burgeoning academic.
Creator of things to read & experience. Thinks too much.
Analyzes everything. 

Reviews are meant to catalogue, interrogate, and challenge what I see.

All opinions are just that -- opinions. 

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra JonesPhoto by John Gundy

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra Jones

Photo by John Gundy


Sunny days ☀️
Happy Mother’s Day, Canadians 

#anarchyintheuk
Tangled.

Found in Commercial Street.
#london #spitalfields #streetart
Happy birthday @bonks21 ! If these pictures don’t exemplify our relationship, nothing does. Here’s to this summer’s European adventure which trades Scottish mountains for Parisian staircases.
❤️

Found in High Holborn, London
Just hanging out. 

Found in Commercial Street. 

#london #eastlondon #wheatpaste #streetart
Outside David Garrick’s house, on the banks of the Thames; his Temple to Shakespeare.

#hampton #temple #shakespeare
Saw Hate Radio at @batterseaartscentre - thought some things. You can read them on the blog, link in bio.

#theatre #archive #review #milorau #bac
Saw Book of Mormon the other week. Thought some things. You can read them on the blog- link in bio

📸: Prince of Wales Theatre ceiling
Our appetite and capacity to digest fragmented narrative is expanding.

@jordan.tannahill - Theatre of the Unimpressed 

#reading #theatre #mediums #mediation #experiences

tweets


Nutcracker - Birmingham Royal Ballet at Royal Albert Hall

January 09, 2025

My first time seeing a ballet staged for the iconic Royal Albert Hall, and it did not disappoint. Making use of the thrust stage, the production invited the audience to feel a part of the action, not only for those sitting practically on stage, but for the entire audience. Making use of the height of the building, the clever design brought objects down from the ceiling, ran through the floor aisles, and even projected up to the skies, creating a feeling of being inside the production (quite literally when we were inside the tree for the dream sequence).

The BRB’s nutcracker is a mix of work by several choreographers, and this is apparent at times, when the movement style and even spacing choices change abruptly. At times this is to positive effect as we jump between worlds, however at times it is jarring. Notwithstanding, the company were exceptional, of particular note our Nutcracker Prince (guest appearing from another company) and Clara. I was left a bit underwhelmed by sugarplum, however.

All that said, it was probably the most magical experience I have ever had at the ballet - I can only imagine how life changing this would be for a small child seeing it.

Tags: ballet, Birmingham Royal Ballet, Nutcracker, Royal Albert Hall
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