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Kendra Jones

director . writer . dramaturg . instructor
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impel theatre blog

Burgeoning academic.
Creator of things to read & experience. Thinks too much.
Analyzes everything. 

Reviews are meant to catalogue, interrogate, and challenge what I see.

All opinions are just that -- opinions. 

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra JonesPhoto by John Gundy

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra Jones

Photo by John Gundy


Sunny days ☀️
Happy Mother’s Day, Canadians 

#anarchyintheuk
Tangled.

Found in Commercial Street.
#london #spitalfields #streetart
Happy birthday @bonks21 ! If these pictures don’t exemplify our relationship, nothing does. Here’s to this summer’s European adventure which trades Scottish mountains for Parisian staircases.
❤️

Found in High Holborn, London
Just hanging out. 

Found in Commercial Street. 

#london #eastlondon #wheatpaste #streetart
Outside David Garrick’s house, on the banks of the Thames; his Temple to Shakespeare.

#hampton #temple #shakespeare
Saw Hate Radio at @batterseaartscentre - thought some things. You can read them on the blog, link in bio.

#theatre #archive #review #milorau #bac
Saw Book of Mormon the other week. Thought some things. You can read them on the blog- link in bio

📸: Prince of Wales Theatre ceiling
Our appetite and capacity to digest fragmented narrative is expanding.

@jordan.tannahill - Theatre of the Unimpressed 

#reading #theatre #mediums #mediation #experiences

tweets

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review. #kanderandebb by Ryan G. Hinds @ Toronto Fringe

July 15, 2018

Ryan G. Hinds is an absolute delight. His one-man homage to iconic musical theatre writers Kander and Ebb (of Chicago, Cabaret, Kiss of the Spider Woman...you know, all the good musicals) is a 60 minute tour de force. Hinds is magnetic as he shares personal stories of a life obsessed with and then living the dream of performing musical theatre. The show is fun and silly while also being serious musical theatre performance. Hinds really showed his skill, when after noticing in the first song the mic wasn't working, he adapted quickly, vamping with jokes while the tech team ran a corded mic cable, then picked up as if NOTHING had happened. You would have sworn the show was always performed mic-in-hand.

The show has been to a few festivals now. If it comes to your city, I can guarantee there isn't a better way to spend an hour. 

Tags: Ryan G. Hinds, Kander and Ebb, toronto, toronto fringe, musical
← review. Women of the Fur Trade @ Toronto Fringereview. Everyone Wants a T-Shirt by Madeleine Brown @ Toronto Fringe →
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