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Kendra Jones

director . writer . dramaturg . instructor
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impel theatre blog

Burgeoning academic.
Creator of things to read & experience. Thinks too much.
Analyzes everything. 

Reviews are meant to catalogue, interrogate, and challenge what I see.

All opinions are just that -- opinions. 

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra JonesPhoto by John Gundy

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra Jones

Photo by John Gundy


Sunny days ☀️
Happy Mother’s Day, Canadians 

#anarchyintheuk
Tangled.

Found in Commercial Street.
#london #spitalfields #streetart
Happy birthday @bonks21 ! If these pictures don’t exemplify our relationship, nothing does. Here’s to this summer’s European adventure which trades Scottish mountains for Parisian staircases.
❤️

Found in High Holborn, London
Just hanging out. 

Found in Commercial Street. 

#london #eastlondon #wheatpaste #streetart
Outside David Garrick’s house, on the banks of the Thames; his Temple to Shakespeare.

#hampton #temple #shakespeare
Saw Hate Radio at @batterseaartscentre - thought some things. You can read them on the blog, link in bio.

#theatre #archive #review #milorau #bac
Saw Book of Mormon the other week. Thought some things. You can read them on the blog- link in bio

📸: Prince of Wales Theatre ceiling
Our appetite and capacity to digest fragmented narrative is expanding.

@jordan.tannahill - Theatre of the Unimpressed 

#reading #theatre #mediums #mediation #experiences

tweets


astrodome.jpg

review. The Grass is Greenest at the Houston Astrodome by Michael Ross Albert @ Toronto Fringe

July 07, 2018

Toronto Playwright Michael Ross Albert's first Toronto production of his acclaimed play hits some great notes. Staged in a gallery, surrounded by smashed artwork, the production immerses the audience in the world of the play immediately. Starting the dialogue snappily, we are brought along on the journey of these friends and their tumultuous relationship filled with pride, envy, and a bit of spitfire. The snappy dialogue and searing pace set up for a great release as the major dramatic crux is revealed, allowing the characters to spin out as they reel from this information.

The performances were strong at moments, but also at times felt rushed; there was a sense of uneven direction which was to the detriment of our engagement with the story as some text was glossed over. Each performer alternately had fantastic moments, and weaker ones, which was a touch frustrating. Nonetheless, the performers got some great laughs out of the audience, and we felt a distinct voice from each. 

Found spaces can be a challenge, and I felt the direction used the space well, although there were some lighting choices toward the end which limited the full engagement with the space and the choice of staging it in such a manner. 

This has been a hot ticket already, and with good reason; definitely worth grabbing an advance ticket for the small space!

Tags: toronto fringe, review, Michael Ross Albert, theatre
← review. RAGE AGAINST The Complacent by Daniel Bagg @ Toronto Fringereview. Hamburger by Ciarán Myers @ Toronto Fringe →
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