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Kendra Jones

director . writer . dramaturg . instructor
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impel theatre blog

Burgeoning academic.
Creator of things to read & experience. Thinks too much.
Analyzes everything. 

Reviews are meant to catalogue, interrogate, and challenge what I see.

All opinions are just that -- opinions. 

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra JonesPhoto by John Gundy

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra Jones

Photo by John Gundy


Sunny days ☀️
Happy Mother’s Day, Canadians 

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Tangled.

Found in Commercial Street.
#london #spitalfields #streetart
Happy birthday @bonks21 ! If these pictures don’t exemplify our relationship, nothing does. Here’s to this summer’s European adventure which trades Scottish mountains for Parisian staircases.
❤️

Found in High Holborn, London
Just hanging out. 

Found in Commercial Street. 

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Outside David Garrick’s house, on the banks of the Thames; his Temple to Shakespeare.

#hampton #temple #shakespeare
Saw Hate Radio at @batterseaartscentre - thought some things. You can read them on the blog, link in bio.

#theatre #archive #review #milorau #bac
Saw Book of Mormon the other week. Thought some things. You can read them on the blog- link in bio

📸: Prince of Wales Theatre ceiling
Our appetite and capacity to digest fragmented narrative is expanding.

@jordan.tannahill - Theatre of the Unimpressed 

#reading #theatre #mediums #mediation #experiences

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Photo by Dahlia Katz

Photo by Dahlia Katz

review. A Blow in the Face - Bald Ego & Nightwood @ Theatre Centre

March 30, 2019

Postpartum depression is a challenging topic to talk about in a truly theatrical manner. How do you represent an experience that most women experience in some manner, but which differs for each experience of it, in a manner that will be sufficiently specific while simultaneously relatable? Lisa Ryder’s script is one of the best efforts at this I have seen. It begins in a fairly normal-looking home; a couple are dealing with a new baby, husband needs to leave for a couple weeks for work, there are household things to do on top of the all-consuming baby care. Quickly we spin into a weird and zany world where two aliens are representative of the weird, sometimes funny, sometimes dangerous ideas that creep around in a new mother’s brain.

Monica Dottor’s direction is beautifully choreographed; the three lead performers are deft in their physicalization, so deeply rooted in their bodies that the strange and highly stylized movements seem completely natural, allowing the audience to slip into the mind and world of Alice, the new mother. It is weird. It is funny. It is wonderful. At a snappy 70 minutes, it leaves you satisfied, rarely with a moment to stop and breathe with its frenetic pace. Rather like motherhood itself…

A Blow In The Face runs to April 14, do catch it if you can.

Tags: Nightwood, new writing, Lisa Ryder, Monica Dottor, Bald Ego, toronto, new play
← review. Unsafe by Sook-Yin Lee @ Canadian StageUpcoming: Workshop Reading - Sweet Mama and the Salty Muffins @ Red Sandcastle Theatre →
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