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Kendra Jones

director . writer . dramaturg . instructor
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impel theatre blog

Burgeoning academic.
Creator of things to read & experience. Thinks too much.
Analyzes everything. 

Reviews are meant to catalogue, interrogate, and challenge what I see.

All opinions are just that -- opinions. 

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra JonesPhoto by John Gundy

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra Jones

Photo by John Gundy


Sunny days ☀️
Happy Mother’s Day, Canadians 

#anarchyintheuk
Tangled.

Found in Commercial Street.
#london #spitalfields #streetart
Happy birthday @bonks21 ! If these pictures don’t exemplify our relationship, nothing does. Here’s to this summer’s European adventure which trades Scottish mountains for Parisian staircases.
❤️

Found in High Holborn, London
Just hanging out. 

Found in Commercial Street. 

#london #eastlondon #wheatpaste #streetart
Outside David Garrick’s house, on the banks of the Thames; his Temple to Shakespeare.

#hampton #temple #shakespeare
Saw Hate Radio at @batterseaartscentre - thought some things. You can read them on the blog, link in bio.

#theatre #archive #review #milorau #bac
Saw Book of Mormon the other week. Thought some things. You can read them on the blog- link in bio

📸: Prince of Wales Theatre ceiling
Our appetite and capacity to digest fragmented narrative is expanding.

@jordan.tannahill - Theatre of the Unimpressed 

#reading #theatre #mediums #mediation #experiences

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review. The Shimmering Verge by Molly Peacock

April 08, 2019

I always like the adventure of finding a show at a place I am not familiar with. You open the door, and immediately are immersed in a new world. Director Karthy Chin creates a warm and enveloping space, with interesting positioning and intrigue in the objects, where we first are greeted with a poetry reading. Each night features a reading from a different local poet, which made for a unique positioning of the play that follows. It may, in part, have been due to the skill and engagement of the reader (I saw the divine Anne Michaels) but the reading, with the words just falling through the air, without accoutrement was thrilling and emotional.

The play itself was performed with dexterity by Madeleine Brown, in that delightful set, and accompanied by sound design from electronic musician Laura Dickens. For me, although the script was interesting and the performance highly enjoyable, the production felt crowded. While I enjoyed the light elements and sound elements, at times it felt like there were too many things going on at once that it stifled the air for the poetry to breathe on its own. Heightened text is always a challenge, and for my taste, I prefer to give it more space. That said, it was an engaging production, and highly enjoyable to take in. I definitely recommend checking out this ambitious work by a young company for the quality of the work and performance. They have 4 more shows between April 11 and April 13.

Tags: poetry, new writing, toronto theatre, toronto, theatre, contemporary practice, review
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