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Kendra Jones

director . writer . dramaturg . instructor
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impel theatre blog

Burgeoning academic.
Creator of things to read & experience. Thinks too much.
Analyzes everything. 

Reviews are meant to catalogue, interrogate, and challenge what I see.

All opinions are just that -- opinions. 

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra JonesPhoto by John Gundy

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra Jones

Photo by John Gundy


Sunny days ☀️
Happy Mother’s Day, Canadians 

#anarchyintheuk
Tangled.

Found in Commercial Street.
#london #spitalfields #streetart
Happy birthday @bonks21 ! If these pictures don’t exemplify our relationship, nothing does. Here’s to this summer’s European adventure which trades Scottish mountains for Parisian staircases.
❤️

Found in High Holborn, London
Just hanging out. 

Found in Commercial Street. 

#london #eastlondon #wheatpaste #streetart
Outside David Garrick’s house, on the banks of the Thames; his Temple to Shakespeare.

#hampton #temple #shakespeare
Saw Hate Radio at @batterseaartscentre - thought some things. You can read them on the blog, link in bio.

#theatre #archive #review #milorau #bac
Saw Book of Mormon the other week. Thought some things. You can read them on the blog- link in bio

📸: Prince of Wales Theatre ceiling
Our appetite and capacity to digest fragmented narrative is expanding.

@jordan.tannahill - Theatre of the Unimpressed 

#reading #theatre #mediums #mediation #experiences

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In_Ireland.jpg

Review. In Ireland We Rented a Car From Criminals by Rod Macpherson @ Toronto Fringe

July 08, 2019

Based on the title alone, I expected this to veer more into the neighbourhood of a dark comedy, however was quite surprised to get to enjoy a story of a woman who was working to re-trace her family’s roots. There were some really beautiful moments, but on the whole, it felt as though stylistically the script hadn’t quite decided where it wanted to sit. Some refinement could turn this into a really snappy and dark commentary on perspective and history.

Both performers did excellent work inhabiting the many characters, and the monologue that starts the play and then picks up to finish it is a truly delightful piece of dark comedy. That said, the title gave us the punch line in advance of even arriving at the theatre, so a little spark of the surprise was eliminated.

All that to say that it is some fine work and a really neat seed of a script, so well worth checking out.

Tags: Toronto Fringe, review, new writing
← Improvised Therapy @ Toronto FringeReview. News Play by Madeleine Brown @ Toronto Fringe →
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