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Kendra Jones

director . writer . dramaturg . instructor
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impel theatre blog

Burgeoning academic.
Creator of things to read & experience. Thinks too much.
Analyzes everything. 

Reviews are meant to catalogue, interrogate, and challenge what I see.

All opinions are just that -- opinions. 

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra JonesPhoto by John Gundy

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra Jones

Photo by John Gundy


Sunny days ☀️
Happy Mother’s Day, Canadians 

#anarchyintheuk
Tangled.

Found in Commercial Street.
#london #spitalfields #streetart
Happy birthday @bonks21 ! If these pictures don’t exemplify our relationship, nothing does. Here’s to this summer’s European adventure which trades Scottish mountains for Parisian staircases.
❤️

Found in High Holborn, London
Just hanging out. 

Found in Commercial Street. 

#london #eastlondon #wheatpaste #streetart
Outside David Garrick’s house, on the banks of the Thames; his Temple to Shakespeare.

#hampton #temple #shakespeare
Saw Hate Radio at @batterseaartscentre - thought some things. You can read them on the blog, link in bio.

#theatre #archive #review #milorau #bac
Saw Book of Mormon the other week. Thought some things. You can read them on the blog- link in bio

📸: Prince of Wales Theatre ceiling
Our appetite and capacity to digest fragmented narrative is expanding.

@jordan.tannahill - Theatre of the Unimpressed 

#reading #theatre #mediums #mediation #experiences

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Titus Andronicus - The Complete Works Tabletop Shakespeare at Home - Forced Entertainment

October 24, 2020

I watched this via Forced Entertainment’s Youtube channel - the Complete Works Tabletop Edition is available through November 30th.

I’ll admit it: i love the ridiculousness of Jacobean drama. I find it so much more fun and silly than the more serious and self important poetry of the Elizabethan period. I love to think about ways to stage these ridiculous scenes, the gory fights and tricks on one’s enemy.

What was best about the Forced Entertainment Tabletop version is that really, we just got those best bits - the crappy way these humans behave to one another, the silliness of revenge. Despite the serious subject matter I found myself laughing out loud at the absurdity of several moments — moments that would be performed with pathos by a human, but when represented by a goblet or a beer bottle, are revealed for their triviality. Perhaps even the triviality of the supposed “big” moments in theatre as a whole, and even more so, of humans in general, in this year when really no one is thriving, but we are all just working to stay alive.

I was on a panel earlier this year, where I was probably in the minority as someone who think that the stories are what are exciting in Shakespeare. I mean yeah, the language is beautiful but sometimes it is just a lot. In that discussion, I tried to raise this series as an example of reasons people shouldn’t be intimidated by Shakespeare, but rather embrace the possibilities of the text, the spaces in between what is written down and what we see.

Anyway, if you love stories and objects and people talking, I strongly recommend checking out at least one of the Tabletop Complete works. They are available through November 30th and might just help you divorce yourself from all those feelings of inferiority to the language or story or magnitude of Shakespeare, and remind you that he was just a dude, re-telling some stories.

Tags: shakespeare, forced entertainment, object theatre, review, Live Stream
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