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Kendra Jones

director . writer . dramaturg . instructor
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impel theatre blog

Burgeoning academic.
Creator of things to read & experience. Thinks too much.
Analyzes everything. 

Reviews are meant to catalogue, interrogate, and challenge what I see.

All opinions are just that -- opinions. 

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra JonesPhoto by John Gundy

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra Jones

Photo by John Gundy


Sunny days ☀️
Happy Mother’s Day, Canadians 

#anarchyintheuk
Tangled.

Found in Commercial Street.
#london #spitalfields #streetart
Happy birthday @bonks21 ! If these pictures don’t exemplify our relationship, nothing does. Here’s to this summer’s European adventure which trades Scottish mountains for Parisian staircases.
❤️

Found in High Holborn, London
Just hanging out. 

Found in Commercial Street. 

#london #eastlondon #wheatpaste #streetart
Outside David Garrick’s house, on the banks of the Thames; his Temple to Shakespeare.

#hampton #temple #shakespeare
Saw Hate Radio at @batterseaartscentre - thought some things. You can read them on the blog, link in bio.

#theatre #archive #review #milorau #bac
Saw Book of Mormon the other week. Thought some things. You can read them on the blog- link in bio

📸: Prince of Wales Theatre ceiling
Our appetite and capacity to digest fragmented narrative is expanding.

@jordan.tannahill - Theatre of the Unimpressed 

#reading #theatre #mediums #mediation #experiences

tweets


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ShakespeareFest from afar

February 02, 2020

This has been a first for me; leaving a show behind to run in a city, without me.

Not to say I typically attend every performance of a show I’ve directed. Typically I’ll attend a couple times, but otherwise let them run. But somehow leaving the city, switching my brain to a new show while that team are still invested and living in the first, is. . . difficult. You are one foot in each world.

I’m so grateful to the work of my amazing team who are supporting I, Malvolio in Winnipeg. Justin’s amazing work continues to be supported and facilitated by our amazing stage manager, Leah Borchert, and two outstanding associate producers, Reba Terlson and Lizzie Knowles. Audiences are so wonderful and generous - it is heartwarming to see texts or messages from friends who are seeing it, sharing their thoughts. It is powerful work, unlike a lot of theatre experiences I’ve even had myself, so it is somewhat terrifying and feels like a bit of hubris to try to bring it to others.

There are performances remaining February 2, 3 and 5, 6, 7. Tickets are still available. This is the last show I’ll have in Winnipeg for awhile, for sure. The last one was in 2017, and before that 2015 (when I lived there…)…so at this pace it could be 2023 before I bring another. I love bringing work to my hometown, the quirky, wonderful, supporting arts community that enabled and encouraged my nonsensical experiments. That made me feel like i could challenge attending RADA, and that I could bring unique work to Toronto. I hope you all can catch one of the last performances. If you’ve already seen it, thank you. Tell a friend.

Tickets are $15, or $12 if you are a student, unemployed, artist, senior — or if you also see our host company and producing partner The Keep Theatre’s Twelfth Night (conveniently scheduled at 7:30pm nightly, so you can come straight upstairs and see our I, Malolio!). Reserve by emailing tickets@impeltheatre.com

Also, check out a zillion other bits of Shakespeare this week - I personally adored Othello, (O)Phelia, and have heard amazing things about Queen Lear is Dead. Also it HURTS that I can’t see either Hamlet that is happening.

Justin Otto as Malvolio in I, Malvolio by Tim Crouch.  Photo by Leah Borchert, audience quote from Hannah Foulger.

Justin Otto as Malvolio in I, Malvolio by Tim Crouch.
Photo by Leah Borchert, audience quote from Hannah Foulger.


Tags: theatre, Winnipeg, ShakespeareFest, shakespeare, experimental theatre, immersive, interactive theatre, producing
← Class - Scottee & Friends @ Progress Festival(O)Phelia - Saucy Gal Productions @ RMTC ShakespeareFest →
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