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Kendra Jones

director . writer . dramaturg . instructor
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impel theatre blog

Burgeoning academic.
Creator of things to read & experience. Thinks too much.
Analyzes everything. 

Reviews are meant to catalogue, interrogate, and challenge what I see.

All opinions are just that -- opinions. 

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra JonesPhoto by John Gundy

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra Jones

Photo by John Gundy


Sunny days ☀️
Happy Mother’s Day, Canadians 

#anarchyintheuk
Tangled.

Found in Commercial Street.
#london #spitalfields #streetart
Happy birthday @bonks21 ! If these pictures don’t exemplify our relationship, nothing does. Here’s to this summer’s European adventure which trades Scottish mountains for Parisian staircases.
❤️

Found in High Holborn, London
Just hanging out. 

Found in Commercial Street. 

#london #eastlondon #wheatpaste #streetart
Outside David Garrick’s house, on the banks of the Thames; his Temple to Shakespeare.

#hampton #temple #shakespeare
Saw Hate Radio at @batterseaartscentre - thought some things. You can read them on the blog, link in bio.

#theatre #archive #review #milorau #bac
Saw Book of Mormon the other week. Thought some things. You can read them on the blog- link in bio

📸: Prince of Wales Theatre ceiling
Our appetite and capacity to digest fragmented narrative is expanding.

@jordan.tannahill - Theatre of the Unimpressed 

#reading #theatre #mediums #mediation #experiences

tweets

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B6A3AF62-B535-4C4E-9410-E64AF211FA35.jpg

Endless

I was commissioned by Convergence Theatre to write a piece inspired by phone calls and messages people were invited to share. . . their COVID-confessions. What follows below is original writing, by me, in response to two of those confessions.

Endless - A meditation on isolation, commissioned by Convergence Theatre

April 13, 2020

A meditation on isolation

By Kendra Jones, commissioned by Convergence Theatre


She sits on her sofa. Resisting the temptation to open her laptop again, to scroll again, to get sucked in to the endless sea of images. News clips, photos of someone’s kid. Memes. So many fucking memes. 


  /Facebook ding. 


Ignore it.                                          Ignore it. 





Her mind drifts. . . she catches her reflection in the window.
She smiles.
She wonders, is that weird? 
Smiling at yourself?
At your reflection?                                                                   The vanity. 


  /Skype sound.


With the alarming digital noise now looping, far too loud into her living room, she realizes she hasn’t spoken to another person in three days. Like actually spoken words aloud. Her cat doesn’t count. Should she answer? 


She pauses. 





On the one hand, it would be lovely to see someone, even digitally. 

To hear someone breathe. 

To see them smile. 





On the other hand, she acknowledges quietly, in her mind, that she hasn’t showered in those three days either. Her voice will probably be raspy from non-use, then she’ll have to explain that she isn’t sick. 


Might just be easier to. . . 


  /Skype sound stops. 












There was this time. . .  back, before. . . whatever this is. . . she was on her way to work. She took an unusual route that morning. As she transferred from the streetcar to the subway, she walked past a few homeless people sitting on the ground. She smiled if they caught her eye, feeling sheepish for never carrying change or a granola bar in her bag to offer, suddenly self conscious of her privilege. As she turned the corner, a woman looked at her with eyes that pierced into her soul, immediately seeing this self consciousness, and said aloud, “she knows what it means to dress herself in black”. That sentence rang through her head the rest of that day. 

It wasn’t upsetting. It was nice. 

Almost comforting, really.

To be seen so clearly, so quickly. 


It is hard for her not to wonder whether that will ever happen again. . .
Will we ever go back to real interactions? 


Will it ever be comfortable to look someone in the eye again? 

To brush up against them by accident, or sit back to back in a crowded cafe?



Will we ever sit in theatres or on transit, near to one another, to strangers again? 



She wants to believe we will; that this forced only-online time will make us value real interaction more. Value closeness to those we love. To strangers. That if this ever ends, she won’t see couples on dates in restaurants looking at their phones, but instead looking at each other. Really seeing one another, deeply, honestly. 






The weight of unproductivity sits on her shoulders as she realizes she is scrolling again. 

                                             

                  She scrolls and scrolls. 





How are there people thriving in this time?

Tags: Convergence Theatre, COVID, commission, new writing, poetry, new work
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