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Kendra Jones

director . writer . dramaturg . instructor
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impel theatre blog

Burgeoning academic.
Creator of things to read & experience. Thinks too much.
Analyzes everything. 

Reviews are meant to catalogue, interrogate, and challenge what I see.

All opinions are just that -- opinions. 

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra JonesPhoto by John Gundy

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra Jones

Photo by John Gundy


Sunny days ☀️
Happy Mother’s Day, Canadians 

#anarchyintheuk
Tangled.

Found in Commercial Street.
#london #spitalfields #streetart
Happy birthday @bonks21 ! If these pictures don’t exemplify our relationship, nothing does. Here’s to this summer’s European adventure which trades Scottish mountains for Parisian staircases.
❤️

Found in High Holborn, London
Just hanging out. 

Found in Commercial Street. 

#london #eastlondon #wheatpaste #streetart
Outside David Garrick’s house, on the banks of the Thames; his Temple to Shakespeare.

#hampton #temple #shakespeare
Saw Hate Radio at @batterseaartscentre - thought some things. You can read them on the blog, link in bio.

#theatre #archive #review #milorau #bac
Saw Book of Mormon the other week. Thought some things. You can read them on the blog- link in bio

📸: Prince of Wales Theatre ceiling
Our appetite and capacity to digest fragmented narrative is expanding.

@jordan.tannahill - Theatre of the Unimpressed 

#reading #theatre #mediums #mediation #experiences

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Ritual - Podcast Plays from Dirty Protest Theatre & National Theatre Wales

July 17, 2020

Ritual is a series of 3 audio plays curated by Dirty Protest Theatre in Wales, with National Theatre Wales. You can listen to them via your favourite podcast service, details and links here.

I listened to these in order. In their materials, Dirty Protest indicate that their intent is for us to listen while we do our daily ritual - the laundry, the washing up, exercise - so I took them with me for some daily tasks.

Soaring by Hefin Robinson tells the story of two “penpals” who communicate with one another at the edge of the millennium, by mailing recorded tapes. A younger man and an older woman, on opposite parts of the country, communicate back and forth, reaching an intimacy between them despite being strangers, as they confess to one another, and work out their personal challenges. The story is captivating; I listened while out for a walk, and found myself completely immersed in the tension of the piece.

Double Drop by Lisa Jên Brown is the story of a young girl, wrestling with her own desire to be herself in the 90’s rave scene counterculture, yet finding her own actions at conflict with this desire to distance herself from her family’s reputation. What is really exciting about this piece is the pace at which it moves, and the way the beautiful compositions by 9Bloc drive the play forward. I listened to this one while out shopping, and found my own pace increasing with the intensity of the lead character, Esmi’s, energy and concern.

Unbound by Remy Beasly, focuses on two women. Funnily enough, although I listened to this one doing the least activity — sitting on my balcony enjoying a sunset — I somehow remember the least about the words and the story. That isn’t to say it wasn’t interesting, but something in the rhythm of the women’s conversation, the use of sound, lulled me into just thinking about that, and not the words or what was happening to the characters. It almost felt like I was overhearing a conversation nearby.

The trio of plays were recorded in the actor’s homes, and then edited together. The whole series is directed by Catherine Paskell. They are well worth taking a little time to check out, as the sound design and performances are fantastic, and the stories, especially Soaring, seem to mirror our own moment of separation from one another.

Tags: theatre, Audio Plays, National Theatre Wales, Ritual, new play, new writing, Dirty Protest Theatre
← What Happens To You, Happens To Me by Susanna Fournier - Canadian StageLes Blancs by Lorraine Hansberry - National Theatre [Recording - 2016] →
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