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Kendra Jones

director . writer . dramaturg . instructor
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impel theatre blog

Burgeoning academic.
Creator of things to read & experience. Thinks too much.
Analyzes everything. 

Reviews are meant to catalogue, interrogate, and challenge what I see.

All opinions are just that -- opinions. 

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra JonesPhoto by John Gundy

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra Jones

Photo by John Gundy


Sunny days ☀️
Happy Mother’s Day, Canadians 

#anarchyintheuk
Tangled.

Found in Commercial Street.
#london #spitalfields #streetart
Happy birthday @bonks21 ! If these pictures don’t exemplify our relationship, nothing does. Here’s to this summer’s European adventure which trades Scottish mountains for Parisian staircases.
❤️

Found in High Holborn, London
Just hanging out. 

Found in Commercial Street. 

#london #eastlondon #wheatpaste #streetart
Outside David Garrick’s house, on the banks of the Thames; his Temple to Shakespeare.

#hampton #temple #shakespeare
Saw Hate Radio at @batterseaartscentre - thought some things. You can read them on the blog, link in bio.

#theatre #archive #review #milorau #bac
Saw Book of Mormon the other week. Thought some things. You can read them on the blog- link in bio

📸: Prince of Wales Theatre ceiling
Our appetite and capacity to digest fragmented narrative is expanding.

@jordan.tannahill - Theatre of the Unimpressed 

#reading #theatre #mediums #mediation #experiences

tweets

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PhotPho

Othello @ Riverside Studios

December 03, 2023

An Othello full of concept, but for me, struggling with delivery. The performances were equally strong, with the performers living beautifully in the world created for the play. The power and relationships were strong, yet the concept — 3 Iagos - for me fell flat in the dramaturgy. Had the 3 Iagos clearly represented archs in his personality or actions, it had some potential, however instead it, along with the many guitar interludes and movement breaks felt like more an effort to showcase the actors than tell us something new about the script.

Again, that’s not a slight on the performances, but rather that there were simply too many ideas pressed into the 90 or so minutes, meaning that none could breathe.

← On Railton Road @ Museum of the HomeMatthew Bourne's Romeo & Juliet @ Sadlers Wells →
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