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Kendra Jones

director . writer . dramaturg . instructor
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impel theatre blog

Burgeoning academic.
Creator of things to read & experience. Thinks too much.
Analyzes everything. 

Reviews are meant to catalogue, interrogate, and challenge what I see.

All opinions are just that -- opinions. 

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra JonesPhoto by John Gundy

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra Jones

Photo by John Gundy


Sunny days ☀️
Happy Mother’s Day, Canadians 

#anarchyintheuk
Tangled.

Found in Commercial Street.
#london #spitalfields #streetart
Happy birthday @bonks21 ! If these pictures don’t exemplify our relationship, nothing does. Here’s to this summer’s European adventure which trades Scottish mountains for Parisian staircases.
❤️

Found in High Holborn, London
Just hanging out. 

Found in Commercial Street. 

#london #eastlondon #wheatpaste #streetart
Outside David Garrick’s house, on the banks of the Thames; his Temple to Shakespeare.

#hampton #temple #shakespeare
Saw Hate Radio at @batterseaartscentre - thought some things. You can read them on the blog, link in bio.

#theatre #archive #review #milorau #bac
Saw Book of Mormon the other week. Thought some things. You can read them on the blog- link in bio

📸: Prince of Wales Theatre ceiling
Our appetite and capacity to digest fragmented narrative is expanding.

@jordan.tannahill - Theatre of the Unimpressed 

#reading #theatre #mediums #mediation #experiences

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The Homecoming @ Young Vic

January 05, 2024

A play like this, with actors like this, should have teeth. It should have grit, terror, and veer into the surreal. This production, unfortunately, had the tools to achieve these things, but fell short — rather than playing into the surreal nightmare, it played it as straight as you can imagine. The result is that while Jared Harris was fascinating to watch, he wasn’t nearly as frightening as he ought to be.

I attended with my husband, who (knowing nothing of the play) left asking why tell this story? That’s the key question this production didn’t answer. Without acknowledgement of the nightmare, the play veers into misogyny, and was only redeemed by the magnetic performance of Lisa Diveney who takes control of the situation and is somehow empowered in a twisted way.

On the whole, it is unfortunate to have such an exceptional cast with such an exceptional script come off as so wildly boring.

Tags: The Young Vic, Review, The Homecoming, Pinter
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