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Kendra Jones

director . writer . dramaturg . instructor
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impel theatre blog

Burgeoning academic.
Creator of things to read & experience. Thinks too much.
Analyzes everything. 

Reviews are meant to catalogue, interrogate, and challenge what I see.

All opinions are just that -- opinions. 

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra JonesPhoto by John Gundy

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra Jones

Photo by John Gundy


Sunny days ☀️
Happy Mother’s Day, Canadians 

#anarchyintheuk
Tangled.

Found in Commercial Street.
#london #spitalfields #streetart
Happy birthday @bonks21 ! If these pictures don’t exemplify our relationship, nothing does. Here’s to this summer’s European adventure which trades Scottish mountains for Parisian staircases.
❤️

Found in High Holborn, London
Just hanging out. 

Found in Commercial Street. 

#london #eastlondon #wheatpaste #streetart
Outside David Garrick’s house, on the banks of the Thames; his Temple to Shakespeare.

#hampton #temple #shakespeare
Saw Hate Radio at @batterseaartscentre - thought some things. You can read them on the blog, link in bio.

#theatre #archive #review #milorau #bac
Saw Book of Mormon the other week. Thought some things. You can read them on the blog- link in bio

📸: Prince of Wales Theatre ceiling
Our appetite and capacity to digest fragmented narrative is expanding.

@jordan.tannahill - Theatre of the Unimpressed 

#reading #theatre #mediums #mediation #experiences

tweets

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August in England @ Bush Theatre

August 03, 2023

The intimacy of The Bush’s space welcomes us into an extended front room of a house. A house filled with memories and pictures on the wall, with well worn but cared for furniture. The house of someone who has worked hard all his life and values what that has brought him.

Enter Lenny Henry, as August. Jovial, friendly, but at times harsh. Throughout the play we learn the story of August, who moved with his mother to England as a child and grew up here. He builds a life and a family, and suddenly, like a wave, it is taken from him. This story of the Windrush generation quite literally takes your breath away, as this man who was full of life and love and hope is crushed by a technicality well beyond his control.

Henry’s performance is astounding, weaving between characters but retaining August’s point of view - everyone we see is seen through his lens. He brings the audience in with such ease, making you feel he is speaking just to you.

Tags: Bush Theatre, Lenny Henry, new writing, One person shows, london, Review
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