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Kendra Jones

director . writer . dramaturg . instructor
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impel theatre blog

Burgeoning academic.
Creator of things to read & experience. Thinks too much.
Analyzes everything. 

Reviews are meant to catalogue, interrogate, and challenge what I see.

All opinions are just that -- opinions. 

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra JonesPhoto by John Gundy

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra Jones

Photo by John Gundy


Sunny days ☀️
Happy Mother’s Day, Canadians 

#anarchyintheuk
Tangled.

Found in Commercial Street.
#london #spitalfields #streetart
Happy birthday @bonks21 ! If these pictures don’t exemplify our relationship, nothing does. Here’s to this summer’s European adventure which trades Scottish mountains for Parisian staircases.
❤️

Found in High Holborn, London
Just hanging out. 

Found in Commercial Street. 

#london #eastlondon #wheatpaste #streetart
Outside David Garrick’s house, on the banks of the Thames; his Temple to Shakespeare.

#hampton #temple #shakespeare
Saw Hate Radio at @batterseaartscentre - thought some things. You can read them on the blog, link in bio.

#theatre #archive #review #milorau #bac
Saw Book of Mormon the other week. Thought some things. You can read them on the blog- link in bio

📸: Prince of Wales Theatre ceiling
Our appetite and capacity to digest fragmented narrative is expanding.

@jordan.tannahill - Theatre of the Unimpressed 

#reading #theatre #mediums #mediation #experiences

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Mike Birbiglia - The Old Man and the Pool @ Wyndham's

December 10, 2023

I watched this live at Wyndham’s in London, and subsequently in the recorded version from Lincoln Centre.

What really struck me is Birbiglia’s ability to write in such a manner that he knows precisely when and how the audience will react; so moments that may have appeared improvised in the first viewing when interacting with the audience, when watching the recorded version the beats worked almost identically, despite it being a completely different audience (and country). Cultural differences seemed not to apply in this way.

That said it was fascinating to see how much MORE the really dark comedic elements hit with a British audience (live) vs American (recorded.

Overall this is a touching introspection into our mortality, aging, legacy, and finding humour in these terrifying realities. Beautiful stuff.

Tags: live theatre, Comedy, West End, recording
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