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Kendra Jones

director . writer . dramaturg . instructor
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impel theatre blog

Burgeoning academic.
Creator of things to read & experience. Thinks too much.
Analyzes everything. 

Reviews are meant to catalogue, interrogate, and challenge what I see.

All opinions are just that -- opinions. 

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra JonesPhoto by John Gundy

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra Jones

Photo by John Gundy


Sunny days ☀️
Happy Mother’s Day, Canadians 

#anarchyintheuk
Tangled.

Found in Commercial Street.
#london #spitalfields #streetart
Happy birthday @bonks21 ! If these pictures don’t exemplify our relationship, nothing does. Here’s to this summer’s European adventure which trades Scottish mountains for Parisian staircases.
❤️

Found in High Holborn, London
Just hanging out. 

Found in Commercial Street. 

#london #eastlondon #wheatpaste #streetart
Outside David Garrick’s house, on the banks of the Thames; his Temple to Shakespeare.

#hampton #temple #shakespeare
Saw Hate Radio at @batterseaartscentre - thought some things. You can read them on the blog, link in bio.

#theatre #archive #review #milorau #bac
Saw Book of Mormon the other week. Thought some things. You can read them on the blog- link in bio

📸: Prince of Wales Theatre ceiling
Our appetite and capacity to digest fragmented narrative is expanding.

@jordan.tannahill - Theatre of the Unimpressed 

#reading #theatre #mediums #mediation #experiences

tweets

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Selecting a Ghost @ Stanley Arts Centre

November 18, 2024

Staged in promenade fashion, Selecting A Ghost uses every possible inch of the Stanley Arts building to tell a brilliantly devised production of the Arthur Conan Doyle story. The audience are positioned as on a tour of the house, so what might be boring exposition is transformed into an adventure to explore the space. A playful urgency is created by the actors as they take us through the space, with the building transforming from room to room. Some audience members get to partake in a ghost chase, and there are light moments of interaction which are respectful of audience boundaries while still making us feel engaged in the action. 

As the production moves into bigger spaces in the building, the lighting and sound are quite inventively used - even the lift is a delight, as we see an actor rising up (to delightful comic effect) as we in the audience walk up the stairs. Lighting is used cleverly to direct our attention and create new spaces at times, without moving the audience. 

The final phase of the production where we meet the ghosts is beautifully conceived, using the text and dubstep to create an almost X-Factor ghost audition for the audience. The choreography is captivating and the use of this bigger space coupled with sound and light is inventive and fun. 

The two lead performers (Edward Bennet and Jade Williams) do a brilliant job taking us on the journey, with a special shout out to the actor who plays the wife along with at least 3 other characters through a fantastic physical transformation. They are supported by 4 dancers who play the ghosts, all of whom were captivating. 

Tags: review, theatre, promenade, devised
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