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Kendra Jones

director . writer . dramaturg . instructor
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impel theatre blog

Burgeoning academic.
Creator of things to read & experience. Thinks too much.
Analyzes everything. 

Reviews are meant to catalogue, interrogate, and challenge what I see.

All opinions are just that -- opinions. 

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra JonesPhoto by John Gundy

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra Jones

Photo by John Gundy


Sunny days ☀️
Happy Mother’s Day, Canadians 

#anarchyintheuk
Tangled.

Found in Commercial Street.
#london #spitalfields #streetart
Happy birthday @bonks21 ! If these pictures don’t exemplify our relationship, nothing does. Here’s to this summer’s European adventure which trades Scottish mountains for Parisian staircases.
❤️

Found in High Holborn, London
Just hanging out. 

Found in Commercial Street. 

#london #eastlondon #wheatpaste #streetart
Outside David Garrick’s house, on the banks of the Thames; his Temple to Shakespeare.

#hampton #temple #shakespeare
Saw Hate Radio at @batterseaartscentre - thought some things. You can read them on the blog, link in bio.

#theatre #archive #review #milorau #bac
Saw Book of Mormon the other week. Thought some things. You can read them on the blog- link in bio

📸: Prince of Wales Theatre ceiling
Our appetite and capacity to digest fragmented narrative is expanding.

@jordan.tannahill - Theatre of the Unimpressed 

#reading #theatre #mediums #mediation #experiences

tweets

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Bacchanalia - Sleepwalk Immersive @ St Peter's Crypt

April 01, 2024

An exciting performance space, Bacchanalia uses the basement crypt of an old church in Bethnal Green to create an immersive performance telling the story of Dionysus’ return. Using a strong physical performance vocabulary, the performers move between multiple areas while the audience, clad in black capes, are allowed reign to roam and watch where they like. There are scenes which overlap that serve one another, however there are also times where the sound bleed from one room to another is more distraction than support. Despite strong work by all performers, I found it hard to find space to watch, or to hold attention outside the the group scenes. There also seemed to be a few red herring scenes, objects or plot lines introduced that went nowhere.

On the whole, a fun experience, but with its heavy reliance on the techniques of Punchdrunk who have made great strides in the immersive space, it is hard to see that this production brought anything new to the discourse of immersive theatre.

Tags: Bacchanalia, immersive, new writing, new work, greek mythology
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