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Kendra Jones

director . writer . dramaturg . instructor
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impel theatre blog

Burgeoning academic.
Creator of things to read & experience. Thinks too much.
Analyzes everything. 

Reviews are meant to catalogue, interrogate, and challenge what I see.

All opinions are just that -- opinions. 

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra JonesPhoto by John Gundy

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra Jones

Photo by John Gundy


Sunny days ☀️
Happy Mother’s Day, Canadians 

#anarchyintheuk
Tangled.

Found in Commercial Street.
#london #spitalfields #streetart
Happy birthday @bonks21 ! If these pictures don’t exemplify our relationship, nothing does. Here’s to this summer’s European adventure which trades Scottish mountains for Parisian staircases.
❤️

Found in High Holborn, London
Just hanging out. 

Found in Commercial Street. 

#london #eastlondon #wheatpaste #streetart
Outside David Garrick’s house, on the banks of the Thames; his Temple to Shakespeare.

#hampton #temple #shakespeare
Saw Hate Radio at @batterseaartscentre - thought some things. You can read them on the blog, link in bio.

#theatre #archive #review #milorau #bac
Saw Book of Mormon the other week. Thought some things. You can read them on the blog- link in bio

📸: Prince of Wales Theatre ceiling
Our appetite and capacity to digest fragmented narrative is expanding.

@jordan.tannahill - Theatre of the Unimpressed 

#reading #theatre #mediums #mediation #experiences

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What (is) a Woman @ Arcola Theatre

May 04, 2024

Billed as a one woman play with music, this show veers much further into Musical Theatre than I expected, although the songs can’t be claimed to advance the plot. That’s not the fault of the songs, but rather a narrative that is unclear. It jumps around in time and place - fine - but nothing really happens. It is simultaneously not a meditation on any one topic, or exploration into the postdramatic.

It is unfortunate, because all of the individuals creating the work are clearly very skilled at what they do — the underscoring from live bassist and keyboard are exceptional, the lighting design clever (if not altogether aligned with the action), the performer highly skilled as a singer and dancer, the choreographer creating intricacy. . . but somehow none of these elements mesh together into a cohesive moment or succession of moments.

I might be biased, but it felt as through there was an absence of a dramaturgical hand in the writing, which carried through to the production.

Tags: Arcola Theatre, Review, musical, new writing, new play
← A Spectacle of Herself @ Battersea Arts CentreRed Pitch @ Soho Place Theatre →
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