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Kendra Jones

director . writer . dramaturg . instructor
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impel theatre blog

Burgeoning academic.
Creator of things to read & experience. Thinks too much.
Analyzes everything. 

Reviews are meant to catalogue, interrogate, and challenge what I see.

All opinions are just that -- opinions. 

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra JonesPhoto by John Gundy

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra Jones

Photo by John Gundy


Sunny days ☀️
Happy Mother’s Day, Canadians 

#anarchyintheuk
Tangled.

Found in Commercial Street.
#london #spitalfields #streetart
Happy birthday @bonks21 ! If these pictures don’t exemplify our relationship, nothing does. Here’s to this summer’s European adventure which trades Scottish mountains for Parisian staircases.
❤️

Found in High Holborn, London
Just hanging out. 

Found in Commercial Street. 

#london #eastlondon #wheatpaste #streetart
Outside David Garrick’s house, on the banks of the Thames; his Temple to Shakespeare.

#hampton #temple #shakespeare
Saw Hate Radio at @batterseaartscentre - thought some things. You can read them on the blog, link in bio.

#theatre #archive #review #milorau #bac
Saw Book of Mormon the other week. Thought some things. You can read them on the blog- link in bio

📸: Prince of Wales Theatre ceiling
Our appetite and capacity to digest fragmented narrative is expanding.

@jordan.tannahill - Theatre of the Unimpressed 

#reading #theatre #mediums #mediation #experiences

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Not A Word - Bru Theatre @ Barbican Pit for Mime London Festival

January 28, 2025

Not A Word is a poetic, wordless reflection on the loneliness of those living and working abroad, with specific reference to the Navvies who left Ireland to work in ports, in gruelling, lonely jobs.

A unique and thoughtful production, this piece challenges our perception both of the story as it unfolds, but our expectations of reality. A world is created, rules understood, and then these expectations are upended in a moment of surprise or shift, playing with surreal moments such as a magical world appearing in a cupboard, while hyper real moments abound such as a functioning tap and steaming kettle. The innovative use of these elements created a strong and cohesive overall production. The use of music and sound was innovative as well, creating a representation of both the real shipyard and the fanciful memory of home, layering live and recorded sound in real time, almost overwhelming and creating a sense of this for the audience, replicating what the character felt, too.

Absolutely beautiful, breathtaking work, that took its time.

Tags: theatre, reviews, physica, mime, mask, Bru Theatre, Barbican
← Five Lines @ Barbican Pit for Mime London FestivalLa Manekine @ Barbican Pit for Mime London Festival →
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