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Kendra Jones

director . writer . dramaturg . instructor
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impel theatre blog

Burgeoning academic.
Creator of things to read & experience. Thinks too much.
Analyzes everything. 

Reviews are meant to catalogue, interrogate, and challenge what I see.

All opinions are just that -- opinions. 

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra JonesPhoto by John Gundy

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra Jones

Photo by John Gundy


Sunny days ☀️
Happy Mother’s Day, Canadians 

#anarchyintheuk
Tangled.

Found in Commercial Street.
#london #spitalfields #streetart
Happy birthday @bonks21 ! If these pictures don’t exemplify our relationship, nothing does. Here’s to this summer’s European adventure which trades Scottish mountains for Parisian staircases.
❤️

Found in High Holborn, London
Just hanging out. 

Found in Commercial Street. 

#london #eastlondon #wheatpaste #streetart
Outside David Garrick’s house, on the banks of the Thames; his Temple to Shakespeare.

#hampton #temple #shakespeare
Saw Hate Radio at @batterseaartscentre - thought some things. You can read them on the blog, link in bio.

#theatre #archive #review #milorau #bac
Saw Book of Mormon the other week. Thought some things. You can read them on the blog- link in bio

📸: Prince of Wales Theatre ceiling
Our appetite and capacity to digest fragmented narrative is expanding.

@jordan.tannahill - Theatre of the Unimpressed 

#reading #theatre #mediums #mediation #experiences

tweets


Univers @ Barbican Pit

December 06, 2025

Univers is a delightfully playful immersive and interactive performance targeted for 0-2 year olds. The playing space is a big white square, with objects hanging on mobiles; at first the audience are situated sat around the square, but before going in to the performing space we are briefed that only those under 2 can come into the white square to play. This is theatre for them, and to some extent, by them.

As the performance begins, sound plays a big role. The actors are mic’d, making sound effects which are amplified and enhanced to echo and reverberate. There is a musician playing live bass notes to accompany the two actors, further enhancing the soundscape, creating a magical quality. With ease, the performers activity invites the young children into the space, and immediately they begin to play with an array of evolving objects.

It was magical to watch the space unfold, masterfully directed and manipulated to create the arc of the story while allowing space for the young audience to explore and interact as they wanted to.

The production as a whole was beautifully crafted, and the direction and sound design deserve a special mention. Overall it was delightfully innovative work, fascinating to watch unfold (even if I’m too big to play). A sense of wonder and curiosity permeated every moment. 

Tags: immersive, TYA, experimental theatre, new work, Barbican
A Suffocating Choking Feeling @ Omnibus Theatre →
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