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Kendra Jones

director . writer . dramaturg . instructor
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impel theatre blog

Burgeoning academic.
Creator of things to read & experience. Thinks too much.
Analyzes everything. 

Reviews are meant to catalogue, interrogate, and challenge what I see.

All opinions are just that -- opinions. 

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra JonesPhoto by John Gundy

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra Jones

Photo by John Gundy


Sunny days ☀️
Happy Mother’s Day, Canadians 

#anarchyintheuk
Tangled.

Found in Commercial Street.
#london #spitalfields #streetart
Happy birthday @bonks21 ! If these pictures don’t exemplify our relationship, nothing does. Here’s to this summer’s European adventure which trades Scottish mountains for Parisian staircases.
❤️

Found in High Holborn, London
Just hanging out. 

Found in Commercial Street. 

#london #eastlondon #wheatpaste #streetart
Outside David Garrick’s house, on the banks of the Thames; his Temple to Shakespeare.

#hampton #temple #shakespeare
Saw Hate Radio at @batterseaartscentre - thought some things. You can read them on the blog, link in bio.

#theatre #archive #review #milorau #bac
Saw Book of Mormon the other week. Thought some things. You can read them on the blog- link in bio

📸: Prince of Wales Theatre ceiling
Our appetite and capacity to digest fragmented narrative is expanding.

@jordan.tannahill - Theatre of the Unimpressed 

#reading #theatre #mediums #mediation #experiences

tweets

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Save The Princess @ Hen & Chickens Theatre

March 02, 2025

Save the Princess is a choose your own adventure style play, where the audience have agency over the choices of the lead character, Princess Plum, through a clever app that works similarly to online quizzes or polls. The choices of the audience then dictate which world the actors will find themselves in. The actors are adept at jumping into the surprise scenes, and the composition of the piece is clever. The performances, direction, and overall production, however, fail to sizzle. They are passable, but nothing remarkable — it could have been shorter, less shouty, and tighter in terms of timing and pace to properly evoke the urgency that video games create. There was an interesting point of view on the absence of female voices in the video game universes, and the inherent misogyny in these spaces which was smart; I would have like to see the play twist the knife on this just a little more and lean in, rather than entertaining us with just a sprinkle of provocative thought. 

Tags: theatre, interactive theatre, improv, new work
← Glenn Ligon: All Over The Place at @ Fitzwilliam Museum CambridgeWhen The World Turns @ Southbank Centre →
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