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Kendra Jones

director . writer . dramaturg . instructor
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impel theatre blog

Burgeoning academic.
Creator of things to read & experience. Thinks too much.
Analyzes everything. 

Reviews are meant to catalogue, interrogate, and challenge what I see.

All opinions are just that -- opinions. 

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra JonesPhoto by John Gundy

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra Jones

Photo by John Gundy


Sunny days ☀️
Happy Mother’s Day, Canadians 

#anarchyintheuk
Tangled.

Found in Commercial Street.
#london #spitalfields #streetart
Happy birthday @bonks21 ! If these pictures don’t exemplify our relationship, nothing does. Here’s to this summer’s European adventure which trades Scottish mountains for Parisian staircases.
❤️

Found in High Holborn, London
Just hanging out. 

Found in Commercial Street. 

#london #eastlondon #wheatpaste #streetart
Outside David Garrick’s house, on the banks of the Thames; his Temple to Shakespeare.

#hampton #temple #shakespeare
Saw Hate Radio at @batterseaartscentre - thought some things. You can read them on the blog, link in bio.

#theatre #archive #review #milorau #bac
Saw Book of Mormon the other week. Thought some things. You can read them on the blog- link in bio

📸: Prince of Wales Theatre ceiling
Our appetite and capacity to digest fragmented narrative is expanding.

@jordan.tannahill - Theatre of the Unimpressed 

#reading #theatre #mediums #mediation #experiences

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Giant @ Harold Pinter Theatre

June 21, 2025

It is unusual to see an “issue play” that feels as though it properly explores all angles and points of view through its characters,. Giant is such a play, exploring the real historical moment when cherished children’s author Roald Dahl spoke out against Israeli aggression in Palestine, and received backlash. The script has a lot going on, and perhaps some elements of character and even setting I struggled to understand why they were chosen; the gardener for example, served little purpose other than to give the protagonist another older man to align himself with.

What was truly outstanding here was not the play, however, but John Lithgow’s performance. Nuanced and funny, while still being powerful and at times intimidating, Lithgow commanded the space. I have known his work primarily through tv sitcoms, so it was refreshing to get to see the depth of his skill live, and in a character who is so deeply challenging intellectually, with seemingly opposing viewpoints within himself. An absolutely extraordinary performance, sat within a decent play.

Similar to other such historical moment plays about big personalities, I do think that without Lithgow in the lead, the play would find itself rudderless.

Tags: theatre, West End, new play, new writing, John Lithgow
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