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Kendra Jones

director . writer . dramaturg . instructor
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impel theatre blog

Burgeoning academic.
Creator of things to read & experience. Thinks too much.
Analyzes everything. 

Reviews are meant to catalogue, interrogate, and challenge what I see.

All opinions are just that -- opinions. 

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra JonesPhoto by John Gundy

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra Jones

Photo by John Gundy


Sunny days ☀️
Happy Mother’s Day, Canadians 

#anarchyintheuk
Tangled.

Found in Commercial Street.
#london #spitalfields #streetart
Happy birthday @bonks21 ! If these pictures don’t exemplify our relationship, nothing does. Here’s to this summer’s European adventure which trades Scottish mountains for Parisian staircases.
❤️

Found in High Holborn, London
Just hanging out. 

Found in Commercial Street. 

#london #eastlondon #wheatpaste #streetart
Outside David Garrick’s house, on the banks of the Thames; his Temple to Shakespeare.

#hampton #temple #shakespeare
Saw Hate Radio at @batterseaartscentre - thought some things. You can read them on the blog, link in bio.

#theatre #archive #review #milorau #bac
Saw Book of Mormon the other week. Thought some things. You can read them on the blog- link in bio

📸: Prince of Wales Theatre ceiling
Our appetite and capacity to digest fragmented narrative is expanding.

@jordan.tannahill - Theatre of the Unimpressed 

#reading #theatre #mediums #mediation #experiences

tweets

  • RT @culturewitch: Welp that’s my first 6 months in a senior leadership role done. I’m still at the beginning of my journey but here’s… https://t.co/iIfgdPHU78
    Jul 14, 2022, 3:22 AM
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    Jul 13, 2022, 3:32 AM
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    Jul 5, 2022, 2:39 AM
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    Jun 30, 2022, 6:19 PM

Matthew Bourne's The Midnight Bell @ Sadlers Wells Theatre

June 27, 2025

Full of Jazz era tales of love and connection across a lonely city, Matthew Bourne’s The Midnight Bell is a magnetic and captivating new work. Using Jazz standards lip synched by the dancers interlaced through the production to create narrative as well as commentary, the choreography moves through place and time with a heavy theatricality. The same spaces are used in an overlapping manner (reminiscent of the way Complicite use space) to great effect, creating a sense of togetherness in the loneliness the characters exude.

Beyond the choreography which was stunning, the use of the physical space, indeed transforming our perspective so that we see the same room from multiple angles, and the same activities which were hidden revealed. It is a truly stunning manipulation of perspective to create story of what is hidden, private, versus what is revealed.

Tags: Review, matthew bourne, sadlers wells, ballet, new work
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