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Kendra Jones

director . writer . dramaturg . instructor
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impel theatre blog

Burgeoning academic.
Creator of things to read & experience. Thinks too much.
Analyzes everything. 

Reviews are meant to catalogue, interrogate, and challenge what I see.

All opinions are just that -- opinions. 

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra JonesPhoto by John Gundy

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra Jones

Photo by John Gundy


Sunny days ☀️
Happy Mother’s Day, Canadians 

#anarchyintheuk
Tangled.

Found in Commercial Street.
#london #spitalfields #streetart
Happy birthday @bonks21 ! If these pictures don’t exemplify our relationship, nothing does. Here’s to this summer’s European adventure which trades Scottish mountains for Parisian staircases.
❤️

Found in High Holborn, London
Just hanging out. 

Found in Commercial Street. 

#london #eastlondon #wheatpaste #streetart
Outside David Garrick’s house, on the banks of the Thames; his Temple to Shakespeare.

#hampton #temple #shakespeare
Saw Hate Radio at @batterseaartscentre - thought some things. You can read them on the blog, link in bio.

#theatre #archive #review #milorau #bac
Saw Book of Mormon the other week. Thought some things. You can read them on the blog- link in bio

📸: Prince of Wales Theatre ceiling
Our appetite and capacity to digest fragmented narrative is expanding.

@jordan.tannahill - Theatre of the Unimpressed 

#reading #theatre #mediums #mediation #experiences

tweets


Cohen, Bernstein, Joni & me

January 31, 2026

This is a biographical solo play with music, following the life and career of New Zealander Deb Filler, framed around her encounters with music and the people who make it. Simply set with a stool and two guitars, supported by projections of real family photos on a small screen behind, Deb paints the picture of her experiences around the world — from a small girl singing Judy Garland songs in a talent show to an accomplished musician creating a documentary in Toronto after visiting Auschwitz with her dad who survived the camp.

Deb’s performance is playful and engaging — but it is at its best when she expresses through song, armed with her guitars. There are some lovely moments of audience participation and even sing along, which are quite heartwarming.

There are a few moments that drag, and the overall script could be tightened up slightly through the middle, but on the whole it is the kind of show I can imagine my parents grinning through. A heartwarming and hopeful 90 minutes.

Tags: theatre, review, musical, play with music, new writing
I Do @ Malmaison London (Dante or Die for Barbican) →
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