In the form of documentary theatre, The First Year interrogates the media - in particular the BBC’s - coverage of the Gaza Genocide, through a mixture of perspectives, largely focussed on the local journalists, and locals who become journalists as the conflict rages. The set is esoteric; lit boxes filled with mud are positioned around the perimeter, with microphones and music stands, and ladders to climb on top. Projection features heavily, and rather than simply appearing behind the actors, it wraps the space, reminding the audience of the consistent bombardment we all face from the media.
Not all elements in the script are equal — the strongest moments are those extrapolating from the real life accounts of individuals at raids, truly harrowing accounts. There are also moments that dig into our own biases, what language may trigger us to be offended, and what may be driving us to feel that offense.
Regardless of the weaker moments, the overall impact of the play is strong - and its final moments rousing to the audience. It is emotional work, powerful work, and work that needs making.