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Kendra Jones

director . writer . dramaturg . instructor
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impel theatre blog

Burgeoning academic.
Creator of things to read & experience. Thinks too much.
Analyzes everything. 

Reviews are meant to catalogue, interrogate, and challenge what I see.

All opinions are just that -- opinions. 

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra JonesPhoto by John Gundy

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra Jones

Photo by John Gundy


Sunny days ☀️
Happy Mother’s Day, Canadians 

#anarchyintheuk
Tangled.

Found in Commercial Street.
#london #spitalfields #streetart
Happy birthday @bonks21 ! If these pictures don’t exemplify our relationship, nothing does. Here’s to this summer’s European adventure which trades Scottish mountains for Parisian staircases.
❤️

Found in High Holborn, London
Just hanging out. 

Found in Commercial Street. 

#london #eastlondon #wheatpaste #streetart
Outside David Garrick’s house, on the banks of the Thames; his Temple to Shakespeare.

#hampton #temple #shakespeare
Saw Hate Radio at @batterseaartscentre - thought some things. You can read them on the blog, link in bio.

#theatre #archive #review #milorau #bac
Saw Book of Mormon the other week. Thought some things. You can read them on the blog- link in bio

📸: Prince of Wales Theatre ceiling
Our appetite and capacity to digest fragmented narrative is expanding.

@jordan.tannahill - Theatre of the Unimpressed 

#reading #theatre #mediums #mediation #experiences

tweets


Dolly @ Omnibus Theatre

November 08, 2026

A woman experiences an assault. Her life spirals. The legal system slows and stops.
Dolly is a highly compelling multimedia show, following a woman who experiences a series of assaults, culminating in the worst of all, rape. She replays the moments before repeatedly; speaking with her assigned psychiatrist, the police, giving her testimony, speaking with her boyfriend….

The structure of the play is extremely effective, framing first as standup comedy, which comes back up as the show continues. What was particularly compelling was the choice to use live video and pre-recorded audio throughout, creating a detachment from her own story. The video backdrop was at times chilling, separating her body from her self — creating a beautiful rift of seeing the body in front of us as a real person whilst simultaneously seeing the body as object, in parts, and at times through the use of actual dolls.

This is not an easy watch, but certainly an impressive performance, and a brilliantly cohesive production that tackles a challenging subject well, and leverages a high degree of theatricality to achieve this.

Tags: Review, new work, multimedia, omnibus theatre
Forced Entertainment: Cold Sweat @ Purcell Room Southbank Centre →
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