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Kendra Jones

director . writer . dramaturg . instructor
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impel theatre blog

Burgeoning academic.
Creator of things to read & experience. Thinks too much.
Analyzes everything. 

Reviews are meant to catalogue, interrogate, and challenge what I see.

All opinions are just that -- opinions. 

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra JonesPhoto by John Gundy

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra Jones

Photo by John Gundy


Sunny days ☀️
Happy Mother’s Day, Canadians 

#anarchyintheuk
Tangled.

Found in Commercial Street.
#london #spitalfields #streetart
Happy birthday @bonks21 ! If these pictures don’t exemplify our relationship, nothing does. Here’s to this summer’s European adventure which trades Scottish mountains for Parisian staircases.
❤️

Found in High Holborn, London
Just hanging out. 

Found in Commercial Street. 

#london #eastlondon #wheatpaste #streetart
Outside David Garrick’s house, on the banks of the Thames; his Temple to Shakespeare.

#hampton #temple #shakespeare
Saw Hate Radio at @batterseaartscentre - thought some things. You can read them on the blog, link in bio.

#theatre #archive #review #milorau #bac
Saw Book of Mormon the other week. Thought some things. You can read them on the blog- link in bio

📸: Prince of Wales Theatre ceiling
Our appetite and capacity to digest fragmented narrative is expanding.

@jordan.tannahill - Theatre of the Unimpressed 

#reading #theatre #mediums #mediation #experiences

tweets


Dreamscape @ Omnibus Theatre

March 04, 2026

Dreamscape is a captivating and inventively told story, based on the true story of Taisha Miller, a young American woman who was killed by police while unconscious in her car. Told entirely through the language of hip hop culture, both in what is said and how it is said, as well as what we see, Dreamscape tells us a story without telling us all of the exposition. It gives us the story of this young woman, her hopes and dreams, her life….all while allowing us to slowly piece together what has senselessly happened to her.

The merger of language, rhythm, and movement are exceptional, and it performed to perfection by the company. The production is spellbinding and completely compelling — and leaves you reflecting deeply on the news stories of today, where police violence against Black and Brown bodies has not subsided.

This is an absolute must-see — and you still can, when it is up at the Arcola in July & August 2026

Tags: Review, omnibus theatre
Here There Are Blueberries @ Theatre Royal Stratford East →
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