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Kendra Jones

director . writer . dramaturg . instructor
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impel theatre blog

Burgeoning academic.
Creator of things to read & experience. Thinks too much.
Analyzes everything. 

Reviews are meant to catalogue, interrogate, and challenge what I see.

All opinions are just that -- opinions. 

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra JonesPhoto by John Gundy

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra Jones

Photo by John Gundy


Sunny days ☀️
Happy Mother’s Day, Canadians 

#anarchyintheuk
Tangled.

Found in Commercial Street.
#london #spitalfields #streetart
Happy birthday @bonks21 ! If these pictures don’t exemplify our relationship, nothing does. Here’s to this summer’s European adventure which trades Scottish mountains for Parisian staircases.
❤️

Found in High Holborn, London
Just hanging out. 

Found in Commercial Street. 

#london #eastlondon #wheatpaste #streetart
Outside David Garrick’s house, on the banks of the Thames; his Temple to Shakespeare.

#hampton #temple #shakespeare
Saw Hate Radio at @batterseaartscentre - thought some things. You can read them on the blog, link in bio.

#theatre #archive #review #milorau #bac
Saw Book of Mormon the other week. Thought some things. You can read them on the blog- link in bio

📸: Prince of Wales Theatre ceiling
Our appetite and capacity to digest fragmented narrative is expanding.

@jordan.tannahill - Theatre of the Unimpressed 

#reading #theatre #mediums #mediation #experiences

tweets


Derrière on a G String - King's Head Theatre

May 18, 2026

This cleverly conceived production leverages the structure of cabaret with the language of dance to explore every day subjects to a heightened degree, with an inherently sexualised twist. The performers are collectively strong, creating spaces and moods through their physicality and choreography, yet somehow it feels more like a play without words than a dance performance. The vignettes are generally quite funny, but the best ones are those that don’t try to veer into social commentary, instead staying firmly in collective experiences, such as faux pas.

I’d definitely recommend seeing this show — it is a fun and entertaining 90 mins, although it could have benefitted from cutting maybe 1-2 of the scenes which started to drag. Nonetheless, an exceptionally conceived production.

Tags: King's Head Theatre, dance, choreography, cabaret, Review
Avenue Q @ Shaftesbury Theatre →
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