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Kendra Jones

director . writer . dramaturg . instructor
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impel theatre blog

Burgeoning academic.
Creator of things to read & experience. Thinks too much.
Analyzes everything. 

Reviews are meant to catalogue, interrogate, and challenge what I see.

All opinions are just that -- opinions. 

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra JonesPhoto by John Gundy

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra Jones

Photo by John Gundy


Sunny days ☀️
Happy Mother’s Day, Canadians 

#anarchyintheuk
Tangled.

Found in Commercial Street.
#london #spitalfields #streetart
Happy birthday @bonks21 ! If these pictures don’t exemplify our relationship, nothing does. Here’s to this summer’s European adventure which trades Scottish mountains for Parisian staircases.
❤️

Found in High Holborn, London
Just hanging out. 

Found in Commercial Street. 

#london #eastlondon #wheatpaste #streetart
Outside David Garrick’s house, on the banks of the Thames; his Temple to Shakespeare.

#hampton #temple #shakespeare
Saw Hate Radio at @batterseaartscentre - thought some things. You can read them on the blog, link in bio.

#theatre #archive #review #milorau #bac
Saw Book of Mormon the other week. Thought some things. You can read them on the blog- link in bio

📸: Prince of Wales Theatre ceiling
Our appetite and capacity to digest fragmented narrative is expanding.

@jordan.tannahill - Theatre of the Unimpressed 

#reading #theatre #mediums #mediation #experiences

tweets


Down To Chance @ Pleasance Theatre

May 07, 2026

Down To Chance is a quirky two hander that structurally is like a radio play, telling the story of an earthquake in Anchorage, Alaska, shortly after the US purchase of the territory. The two actors portray an entire town’s worth of characters, leveraging props and incredible physicality and vocal work to give distinct, funny, charming characters life, at times for mere seconds.

What is truly inventive here is the use of sound. For a play about radio, it really leans into this mechanism, leveraging audio treatment to amplified sound to create different textures to the various radios we’re meant to hear from. What’s more, the core action of the play is to ask people to stay home and listen to the radio for information — and radios were placed on the tables around the cabaret style audience setup, with a mic pack plugged in so that they actually played this audio to your table, creating a delightful immersion, and bringing the audience closer to the action.

Tags: theatre, Review, new writing, radio play, Pleasance Theatre
Charlie & Striptease @ Golden Goose Thatre →
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