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Kendra Jones

director . writer . dramaturg . instructor
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impel theatre blog

Burgeoning academic.
Creator of things to read & experience. Thinks too much.
Analyzes everything. 

Reviews are meant to catalogue, interrogate, and challenge what I see.

All opinions are just that -- opinions. 

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra JonesPhoto by John Gundy

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra Jones

Photo by John Gundy


Sunny days ☀️
Happy Mother’s Day, Canadians 

#anarchyintheuk
Tangled.

Found in Commercial Street.
#london #spitalfields #streetart
Happy birthday @bonks21 ! If these pictures don’t exemplify our relationship, nothing does. Here’s to this summer’s European adventure which trades Scottish mountains for Parisian staircases.
❤️

Found in High Holborn, London
Just hanging out. 

Found in Commercial Street. 

#london #eastlondon #wheatpaste #streetart
Outside David Garrick’s house, on the banks of the Thames; his Temple to Shakespeare.

#hampton #temple #shakespeare
Saw Hate Radio at @batterseaartscentre - thought some things. You can read them on the blog, link in bio.

#theatre #archive #review #milorau #bac
Saw Book of Mormon the other week. Thought some things. You can read them on the blog- link in bio

📸: Prince of Wales Theatre ceiling
Our appetite and capacity to digest fragmented narrative is expanding.

@jordan.tannahill - Theatre of the Unimpressed 

#reading #theatre #mediums #mediation #experiences

tweets


Twelfth Night @ Canadian Stage Company at High Park

August 01, 2026

In a snappy 90 minutes, this year’s Canadian Stage Shakespeare adaptation, Twelfth Night, leans in to the fizzy romcom-ness of the script, with an almost Three’s Company energy to the comedy. The cast are quick witted and quick in their movements, making the story trip by — which while good for those who know the story (or at least She’s The Man). might be a touch too fast for audience members unfamiliar with the story.

The cast are well suited to their roles, and really work the humour in the text through exquisite timing. In particular, Ghazal Azarbad’s Olivia is a silly, swooning lover, and Justin Otto’s Sir Andrew is an affable goof. Rick Roberts Malvolio is exquisitely self absorbed, and delightful to watch.

My only quibble is the top and tail of the adaptation….while delivered well by Steven Sutcliffe, the opening monologue felt stilted and almost apologetic for the play itself. It’s a quibble I typically have with Shakespeare productions, where the director or dramaturg opt to try to get the audience onside, almost afraid of just jumping in to the heightened language and bonkers world of the play. This is a personal frustration, though, and doesn’t take away from the overall joy of the production. Definitely one to make time for this summer!

Tags: Theatre, Toronto Theatre, Canadian Theatre, Canadian Stage, shakespeare, Review
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