I am simultaneously in love with, and completely disgusted by this play. In the best way possible. Berkoff shows us life in London's East End with no apology; his characters interact in a series of scenes which morph in and out of one another expressionistically, while what is contained in each is strikingly "real". Somehow he leads us to find these people charming, and then just as we are lulled into feeling some sort of empathy, he does an about face and causes us to be completely distanced, alienated, and disgusted...not only at the characters, but at ourselves for beginning to empathize with them.
The structure is seamless, and the language morphs in and out of modern text, Shakespearean parody, and expressionistic monologue.
It feels like Berkoff inherently understood the essence of what Brecht, Bond, Artaud and others wanted to do, taking it to new heights by managing to alienate us within a construct of what we are led to believe is realism. The graphic descriptions of violent sexual acts is far more shocking than Bond's aloof characters.
Berkoff is brilliant.
The structure is seamless, and the language morphs in and out of modern text, Shakespearean parody, and expressionistic monologue.
It feels like Berkoff inherently understood the essence of what Brecht, Bond, Artaud and others wanted to do, taking it to new heights by managing to alienate us within a construct of what we are led to believe is realism. The graphic descriptions of violent sexual acts is far more shocking than Bond's aloof characters.
Berkoff is brilliant.