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Kendra Jones

director . writer . dramaturg . instructor
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impel theatre blog

Burgeoning academic.
Creator of things to read & experience. Thinks too much.
Analyzes everything. 

Reviews are meant to catalogue, interrogate, and challenge what I see.

All opinions are just that -- opinions. 

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra JonesPhoto by John Gundy

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra Jones

Photo by John Gundy


Sunny days ☀️
Happy Mother’s Day, Canadians 

#anarchyintheuk
Tangled.

Found in Commercial Street.
#london #spitalfields #streetart
Happy birthday @bonks21 ! If these pictures don’t exemplify our relationship, nothing does. Here’s to this summer’s European adventure which trades Scottish mountains for Parisian staircases.
❤️

Found in High Holborn, London
Just hanging out. 

Found in Commercial Street. 

#london #eastlondon #wheatpaste #streetart
Outside David Garrick’s house, on the banks of the Thames; his Temple to Shakespeare.

#hampton #temple #shakespeare
Saw Hate Radio at @batterseaartscentre - thought some things. You can read them on the blog, link in bio.

#theatre #archive #review #milorau #bac
Saw Book of Mormon the other week. Thought some things. You can read them on the blog- link in bio

📸: Prince of Wales Theatre ceiling
Our appetite and capacity to digest fragmented narrative is expanding.

@jordan.tannahill - Theatre of the Unimpressed 

#reading #theatre #mediums #mediation #experiences

tweets


Lessons For Revolution @ Barbican

November 29, 2025

A bit of documentary meta theatre, Lessons for Revolution follows two young men in their exploration of a student protest at LSE decades before, as they work to create a play about it. The story overlays the unrest of the students then with the friction that these two performers experience as residents of the same council, Camden, positioning their frustration and conflict with authority against that of the LSE students.

The play is very talk-ey…..they speak at Sorkin-pace for the duration of the hour, with loads of information coming whip-fast at the audience, in a manner so overwhelming that I can’t say I recall the details to any extent. Overall the script and production aren’t bad, but felt a bit manufactured for a specific audience — it felt like it was made by male-gaze creators, to sell well in Edinburgh (which I believe it did, granting them a Barbican transfer). It didn’t feel like it gave us anything new in this discourse, however, so isn’t one that will stay with me.

Tags: documentary plays, new writing, plays, Barbican, Review
← A Suffocating Choking Feeling @ Omnibus TheatreHansal & Geetal @ Etcetera Theatre (for Voila Festival) →
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