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Kendra Jones

director . writer . dramaturg . instructor
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impel theatre blog

Burgeoning academic.
Creator of things to read & experience. Thinks too much.
Analyzes everything. 

Reviews are meant to catalogue, interrogate, and challenge what I see.

All opinions are just that -- opinions. 

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra JonesPhoto by John Gundy

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra Jones

Photo by John Gundy


Sunny days ☀️
Happy Mother’s Day, Canadians 

#anarchyintheuk
Tangled.

Found in Commercial Street.
#london #spitalfields #streetart
Happy birthday @bonks21 ! If these pictures don’t exemplify our relationship, nothing does. Here’s to this summer’s European adventure which trades Scottish mountains for Parisian staircases.
❤️

Found in High Holborn, London
Just hanging out. 

Found in Commercial Street. 

#london #eastlondon #wheatpaste #streetart
Outside David Garrick’s house, on the banks of the Thames; his Temple to Shakespeare.

#hampton #temple #shakespeare
Saw Hate Radio at @batterseaartscentre - thought some things. You can read them on the blog, link in bio.

#theatre #archive #review #milorau #bac
Saw Book of Mormon the other week. Thought some things. You can read them on the blog- link in bio

📸: Prince of Wales Theatre ceiling
Our appetite and capacity to digest fragmented narrative is expanding.

@jordan.tannahill - Theatre of the Unimpressed 

#reading #theatre #mediums #mediation #experiences

tweets


Folklorica @ Drayton Arms Theatre

September 29, 2025

Folklorica is a piece of new writing, weaving together a number of threads which if I were to list, would feel ambitious. Using a folk tale and folk dance, the story follows a young female protagonist who begins in an exploitative factory, and through connecting with her history and the magic of historical practices, overcomes personal challenges to take control of her own life.

She is supported in her journey by 4 women who later become goddesses, as well as a healer of sorts — all of whom help her against the single male character, who represents misogyny and capitalism and all things bad. This sounds simplistic but as an allegory works quite effectively. I did wonder whether 4 women were needed, could two or three have worked? Yet the balance of this group and their impact on the story was clear — so it is difficult to critique.

I would have liked to see some further development stylistically — the production could use a stronger directorial hand, and the script can lean even further into this creative world — however on the whole it was an interesting and engaging evening, and a piece worthy of further development.

Tags: new writing, plays, folk tale, dance, drayton arms theatre
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