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Kendra Jones

director . writer . dramaturg . instructor
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impel theatre blog

Burgeoning academic.
Creator of things to read & experience. Thinks too much.
Analyzes everything. 

Reviews are meant to catalogue, interrogate, and challenge what I see.

All opinions are just that -- opinions. 

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra JonesPhoto by John Gundy

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra Jones

Photo by John Gundy


Sunny days ☀️
Happy Mother’s Day, Canadians 

#anarchyintheuk
Tangled.

Found in Commercial Street.
#london #spitalfields #streetart
Happy birthday @bonks21 ! If these pictures don’t exemplify our relationship, nothing does. Here’s to this summer’s European adventure which trades Scottish mountains for Parisian staircases.
❤️

Found in High Holborn, London
Just hanging out. 

Found in Commercial Street. 

#london #eastlondon #wheatpaste #streetart
Outside David Garrick’s house, on the banks of the Thames; his Temple to Shakespeare.

#hampton #temple #shakespeare
Saw Hate Radio at @batterseaartscentre - thought some things. You can read them on the blog, link in bio.

#theatre #archive #review #milorau #bac
Saw Book of Mormon the other week. Thought some things. You can read them on the blog- link in bio

📸: Prince of Wales Theatre ceiling
Our appetite and capacity to digest fragmented narrative is expanding.

@jordan.tannahill - Theatre of the Unimpressed 

#reading #theatre #mediums #mediation #experiences

tweets


Monster @ Seven Dials Playhouse

October 09, 2025

Monster tells the story of a woman’s life over three time periods and the core relationships in her life; we first meet her as a troubled teen, and see the groundwork of her trauma, ultimately leading to a horrific action. We see her next in her twenties, getting married, but reckoning with the ongoing effects of that action, and then finally in her thirties, reconciled with what she did, reuniting with her friend.

The story itself is compelling, although the script’s highly linear structure does it a disservice, taking it from what could feel extremely challenging to the audience, to something almost (frustratingly) predictable. The characters have various levels of depth, and at times I questioned the need to meet some of the secondary characters, the script potentially being stronger if we had fewer outside forces distracting the story.

The direction was strong at times, but overall felt under-cooked; highly emotive moments resorted to shouting where there ought to have been texture and nuance.

This all together sounds like it was terrible; indeed it wasn’t, there were many redeeming moments however as a whole it simply did not hang together for me, either as a script or production.

Tags: Review, new writing, seven dials playhouse
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