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Kendra Jones

director . writer . dramaturg . instructor
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impel theatre blog

Burgeoning academic.
Creator of things to read & experience. Thinks too much.
Analyzes everything. 

Reviews are meant to catalogue, interrogate, and challenge what I see.

All opinions are just that -- opinions. 

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra JonesPhoto by John Gundy

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra Jones

Photo by John Gundy


Sunny days ☀️
Happy Mother’s Day, Canadians 

#anarchyintheuk
Tangled.

Found in Commercial Street.
#london #spitalfields #streetart
Happy birthday @bonks21 ! If these pictures don’t exemplify our relationship, nothing does. Here’s to this summer’s European adventure which trades Scottish mountains for Parisian staircases.
❤️

Found in High Holborn, London
Just hanging out. 

Found in Commercial Street. 

#london #eastlondon #wheatpaste #streetart
Outside David Garrick’s house, on the banks of the Thames; his Temple to Shakespeare.

#hampton #temple #shakespeare
Saw Hate Radio at @batterseaartscentre - thought some things. You can read them on the blog, link in bio.

#theatre #archive #review #milorau #bac
Saw Book of Mormon the other week. Thought some things. You can read them on the blog- link in bio

📸: Prince of Wales Theatre ceiling
Our appetite and capacity to digest fragmented narrative is expanding.

@jordan.tannahill - Theatre of the Unimpressed 

#reading #theatre #mediums #mediation #experiences

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Photo by Darien Charles

Medea Gosperia @ The Cockpit

July 07, 2024

Medea Gosperia is an operetta adaptation of the Greek story of Medea (you know, her…) which uses musical styles to explore what is happening to each character, their feelings and emotions. So Medea expresses through classical opera, while Jason expresses through Jazz, etc. The singers are all of exceptional quality and skill, supported by a brilliant 7 piece live band. The music at times works well to this premise, however at times the shifts in style felt arbitrary, rather than as if they were pushing the story forward. Similarly at times the clash of genre worked to brilliant dramaturgical effect, but not consistently.

Unfortunately for me, the libretto was weak, and undermined some of the interesting musical choices happening. The lack of energy in the lyrics translated to the cast feeling like things were moving too slowly at times.

Overall an interesting experiment, worth watching — but for me one that still needs a bit of development to recognise its true potential.

Tags: medea, opera, theatre, The Cockpit, reviews
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