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Kendra Jones

director . writer . dramaturg . instructor
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impel theatre blog

Burgeoning academic.
Creator of things to read & experience. Thinks too much.
Analyzes everything. 

Reviews are meant to catalogue, interrogate, and challenge what I see.

All opinions are just that -- opinions. 

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra JonesPhoto by John Gundy

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra Jones

Photo by John Gundy


Sunny days ☀️
Happy Mother’s Day, Canadians 

#anarchyintheuk
Tangled.

Found in Commercial Street.
#london #spitalfields #streetart
Happy birthday @bonks21 ! If these pictures don’t exemplify our relationship, nothing does. Here’s to this summer’s European adventure which trades Scottish mountains for Parisian staircases.
❤️

Found in High Holborn, London
Just hanging out. 

Found in Commercial Street. 

#london #eastlondon #wheatpaste #streetart
Outside David Garrick’s house, on the banks of the Thames; his Temple to Shakespeare.

#hampton #temple #shakespeare
Saw Hate Radio at @batterseaartscentre - thought some things. You can read them on the blog, link in bio.

#theatre #archive #review #milorau #bac
Saw Book of Mormon the other week. Thought some things. You can read them on the blog- link in bio

📸: Prince of Wales Theatre ceiling
Our appetite and capacity to digest fragmented narrative is expanding.

@jordan.tannahill - Theatre of the Unimpressed 

#reading #theatre #mediums #mediation #experiences

tweets

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    Jul 5, 2022, 2:39 AM
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Photo by Helen Murray

Slave Play by Jeremy O Harris @ Noel Coward Theatre

July 25, 2024

I was more than a little excited when the London production of Jeremy O Harris’ Slave Play was announced, after hearing about the New York production and its reception. This is a play intended to make people think, and it is not easy viewing at times.

Don’t worry - I won’t give much away. Only to say that it is a searing commentary on racism in today’s society, in the context of all that came before (thanks Kamala). The play itself is structurally the love child of Caryl Churchill’s Top Girls and Jean Genet’s Le Balcon (in all the right ways). It is delightfully confusing at first, then as it explains itself it challenges the viewer to examine their confusion and feelings on the earlier pieces. It is searing and raw.

This production’s cast are exquisite - every performance as exceptional as the next, a true ensemble. This is essential viewing - please, please go. Maybe you’ll be like half my row who walked out? Honestly, goals.

Tags: Review, West End, Slave Play, Jeremy O Harris, New, new writing
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