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Kendra Jones

director . writer . dramaturg . instructor
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impel theatre blog

Burgeoning academic.
Creator of things to read & experience. Thinks too much.
Analyzes everything. 

Reviews are meant to catalogue, interrogate, and challenge what I see.

All opinions are just that -- opinions. 

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra JonesPhoto by John Gundy

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra Jones

Photo by John Gundy


Sunny days ☀️
Happy Mother’s Day, Canadians 

#anarchyintheuk
Tangled.

Found in Commercial Street.
#london #spitalfields #streetart
Happy birthday @bonks21 ! If these pictures don’t exemplify our relationship, nothing does. Here’s to this summer’s European adventure which trades Scottish mountains for Parisian staircases.
❤️

Found in High Holborn, London
Just hanging out. 

Found in Commercial Street. 

#london #eastlondon #wheatpaste #streetart
Outside David Garrick’s house, on the banks of the Thames; his Temple to Shakespeare.

#hampton #temple #shakespeare
Saw Hate Radio at @batterseaartscentre - thought some things. You can read them on the blog, link in bio.

#theatre #archive #review #milorau #bac
Saw Book of Mormon the other week. Thought some things. You can read them on the blog- link in bio

📸: Prince of Wales Theatre ceiling
Our appetite and capacity to digest fragmented narrative is expanding.

@jordan.tannahill - Theatre of the Unimpressed 

#reading #theatre #mediums #mediation #experiences

tweets

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THE BELT - Ambiguous Dance Company @ The Coronet Theatre

October 13, 2024

The Belt, from Korea’s Ambiguous Dance Company, is a two-part event.

First, Past, is a site specific exploration of identity through repetitive movement, with 6 short performances which take place across different areas of The Coronet theatre. Billed as “immersive” i would argue the label does the work a disservice. Instead it is site-specific, with the movements inspired by the spaces, and vice versa. Throughout this section the audience are moved around the space by guides - this is a bit unceremonious, and moved at an intense pace (so much so that my group lost people more than once). Nonetheless the pieces were thought provoking in their own right.

Second, Future, takes the ideas of durational performance and boredom from contemporary theatre and places them into the context of dance. Situated in the main performance space at the Coronet, and lasting over an hour, the company perform a non-stop piece of choreography to a continuous techno DJ set. This on its own is exciting, however coupled with a movement vocabulary which challenges perfection, it is quite thrilling overall picture. The movement takes classical dance movement and muddies it, making it look like street or club dancing….while still underscored by strong technique and precision (despite looking to the untrained eye completely imprecise). The sheer endurance of the piece is breathtaking.

A delightful evening, which challenged multiple preconceptions.

Tags: dance, Ambiguous Dance Company, Coronet Theatre, London, New work, review
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