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Kendra Jones

director . writer . dramaturg . instructor
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impel theatre blog

Burgeoning academic.
Creator of things to read & experience. Thinks too much.
Analyzes everything. 

Reviews are meant to catalogue, interrogate, and challenge what I see.

All opinions are just that -- opinions. 

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra JonesPhoto by John Gundy

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra Jones

Photo by John Gundy


Sunny days ☀️
Happy Mother’s Day, Canadians 

#anarchyintheuk
Tangled.

Found in Commercial Street.
#london #spitalfields #streetart
Happy birthday @bonks21 ! If these pictures don’t exemplify our relationship, nothing does. Here’s to this summer’s European adventure which trades Scottish mountains for Parisian staircases.
❤️

Found in High Holborn, London
Just hanging out. 

Found in Commercial Street. 

#london #eastlondon #wheatpaste #streetart
Outside David Garrick’s house, on the banks of the Thames; his Temple to Shakespeare.

#hampton #temple #shakespeare
Saw Hate Radio at @batterseaartscentre - thought some things. You can read them on the blog, link in bio.

#theatre #archive #review #milorau #bac
Saw Book of Mormon the other week. Thought some things. You can read them on the blog- link in bio

📸: Prince of Wales Theatre ceiling
Our appetite and capacity to digest fragmented narrative is expanding.

@jordan.tannahill - Theatre of the Unimpressed 

#reading #theatre #mediums #mediation #experiences

tweets

  • RT @culturewitch: Welp that’s my first 6 months in a senior leadership role done. I’m still at the beginning of my journey but here’s… https://t.co/iIfgdPHU78
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    Jul 5, 2022, 2:39 AM
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    Jun 30, 2022, 6:19 PM

Twine @ The Yard Theatre

September 14, 2024

Selina Thompson’s newest play, Twine, explores adoption, and the search of an adopted child to understand their history. Set in a magical between place, Sycamore has been split into three parts to represent her at different points in her life. Seed is her at 5 days old (when she was adopted), Sapling is her as a teen, and Bark is adult her, hardened to the realities of life.

The premise is intriguing, and there are moments where it is truly exciting, however as a whole piece there are moments that just don’t work. The first act worked better than the second, using music to engage and weave the story, although it ran a bit long and flagged toward the end of the act. The second act felt a bit disjointed from the first until the very final moments.

The music and performances were all strong, supporting a strong idea, but the script just didn’t quite have the pop it could have.

Tags: new writing, new play, Selina Thompson, Yard Theatre, Review
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