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Kendra Jones

director . writer . dramaturg . instructor
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impel theatre blog

Burgeoning academic.
Creator of things to read & experience. Thinks too much.
Analyzes everything. 

Reviews are meant to catalogue, interrogate, and challenge what I see.

All opinions are just that -- opinions. 

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra JonesPhoto by John Gundy

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra Jones

Photo by John Gundy


Sunny days ☀️
Happy Mother’s Day, Canadians 

#anarchyintheuk
Tangled.

Found in Commercial Street.
#london #spitalfields #streetart
Happy birthday @bonks21 ! If these pictures don’t exemplify our relationship, nothing does. Here’s to this summer’s European adventure which trades Scottish mountains for Parisian staircases.
❤️

Found in High Holborn, London
Just hanging out. 

Found in Commercial Street. 

#london #eastlondon #wheatpaste #streetart
Outside David Garrick’s house, on the banks of the Thames; his Temple to Shakespeare.

#hampton #temple #shakespeare
Saw Hate Radio at @batterseaartscentre - thought some things. You can read them on the blog, link in bio.

#theatre #archive #review #milorau #bac
Saw Book of Mormon the other week. Thought some things. You can read them on the blog- link in bio

📸: Prince of Wales Theatre ceiling
Our appetite and capacity to digest fragmented narrative is expanding.

@jordan.tannahill - Theatre of the Unimpressed 

#reading #theatre #mediums #mediation #experiences

tweets


The Boline Inn @ Hope Theatre

December 17, 2025

The Boline Inn is a new piece of time-bending theatre, which brings together a group of women who converge on an inn in Scotland, conjuring power in various ways. While the themes are of magic and feminine power, the structure is largely linear and play-like. Where the script plays with time, it sticks with form — I think it could have benefitted from a departure from linear understandings of story. Early in the script there is a thread of Madonna’s music bringing the characters together, however this doesn’t materialise into anything other than to firmly set the most contemporary of the characters in the 1980’s….again this feels like a missed opportunity.

The company is made up of recent graduates, all of whom do good work here. And while I have critiques, I still think there is something in this script that bears development and further exploration. I hope it can get some space to breathe and grow into the delightfully empowering and form-challenging piece of theatre that’s in there.

Tags: new work, experimental theatre, new writing, Review
Dick Whittington and his Cat @ Harrow Arts Centre →
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