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Kendra Jones

director . writer . dramaturg . instructor
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impel theatre blog

Burgeoning academic.
Creator of things to read & experience. Thinks too much.
Analyzes everything. 

Reviews are meant to catalogue, interrogate, and challenge what I see.

All opinions are just that -- opinions. 

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra JonesPhoto by John Gundy

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra Jones

Photo by John Gundy


Sunny days ☀️
Happy Mother’s Day, Canadians 

#anarchyintheuk
Tangled.

Found in Commercial Street.
#london #spitalfields #streetart
Happy birthday @bonks21 ! If these pictures don’t exemplify our relationship, nothing does. Here’s to this summer’s European adventure which trades Scottish mountains for Parisian staircases.
❤️

Found in High Holborn, London
Just hanging out. 

Found in Commercial Street. 

#london #eastlondon #wheatpaste #streetart
Outside David Garrick’s house, on the banks of the Thames; his Temple to Shakespeare.

#hampton #temple #shakespeare
Saw Hate Radio at @batterseaartscentre - thought some things. You can read them on the blog, link in bio.

#theatre #archive #review #milorau #bac
Saw Book of Mormon the other week. Thought some things. You can read them on the blog- link in bio

📸: Prince of Wales Theatre ceiling
Our appetite and capacity to digest fragmented narrative is expanding.

@jordan.tannahill - Theatre of the Unimpressed 

#reading #theatre #mediums #mediation #experiences

tweets


The Lost Library of Leake Street @ The Glitch

December 21, 2025

While billed as a Christmas story, The Lost Library of Leake Street is much more. Told by two actors who are transformed through the stories held by objects, the script jumps through time to tell these stories. The production is housed in the basement space in The Glitch — long and narrow with the audience in alley style along two walls, with shelves and objects filling every corner of the space. The detail in the set design is delightful, but more exciting was the lighting design which despite limited technical capacity, leveraged the use of practicals, fairy lights, and some well-placed theatrical lighting to focus our attention and create the magical worlds where these stories live.

The two performers were equally matched. There was a gentle energy about the performances — where so many performances these days are high energy and large, both actors were soft and subtle in their embodiment of the characters. They let the words to the work, letting themselves be the conduit for the story.

The relationship to the space and the engaged complicity of the audience made this seem different to so much other work we see these days. While no single element felt innovative in itself, the relationships and connections between them made it so.

Tags: theatre, review, The Glitch, new writing
The Boline Inn @ Hope Theatre →
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