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Kendra Jones

director . writer . dramaturg . instructor
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impel theatre blog

Burgeoning academic.
Creator of things to read & experience. Thinks too much.
Analyzes everything. 

Reviews are meant to catalogue, interrogate, and challenge what I see.

All opinions are just that -- opinions. 

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra JonesPhoto by John Gundy

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra Jones

Photo by John Gundy


Sunny days ☀️
Happy Mother’s Day, Canadians 

#anarchyintheuk
Tangled.

Found in Commercial Street.
#london #spitalfields #streetart
Happy birthday @bonks21 ! If these pictures don’t exemplify our relationship, nothing does. Here’s to this summer’s European adventure which trades Scottish mountains for Parisian staircases.
❤️

Found in High Holborn, London
Just hanging out. 

Found in Commercial Street. 

#london #eastlondon #wheatpaste #streetart
Outside David Garrick’s house, on the banks of the Thames; his Temple to Shakespeare.

#hampton #temple #shakespeare
Saw Hate Radio at @batterseaartscentre - thought some things. You can read them on the blog, link in bio.

#theatre #archive #review #milorau #bac
Saw Book of Mormon the other week. Thought some things. You can read them on the blog- link in bio

📸: Prince of Wales Theatre ceiling
Our appetite and capacity to digest fragmented narrative is expanding.

@jordan.tannahill - Theatre of the Unimpressed 

#reading #theatre #mediums #mediation #experiences

tweets


Fragments @ The Space

May 03, 2026

Fragments consists of three short pieces - two new works, and an adaptation of Macbeth. The three are performed by the same 3 actors in repertory, all in the same in the round configuration, with the same bench at the centre of the space.

The scripts could use a bit of dramaturgy but thematically the connections were clear. The performances were uneven and often shouty — and lacking in direction. I would have liked to see a benefit to staging in the round, but it didn’t add anything specifically, indeed it felt as though large swaths of the cavernous performance space went unused (unfortunately as The Space is a gorgeous building).

Overall a strong effort from the young company, but in need of an outside eye both for dramaturgy and direction. There wasn’t a programme on offer or online, so it was not possible to see whether there were any debuts at play.

Tags: The Space, Review, new writing, adaptations
← Uccellini @ The Coronet TheatreOh Mary! @ Trafalgar Theatre →
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