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Kendra Jones

director . writer . dramaturg . instructor
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impel theatre blog

Burgeoning academic.
Creator of things to read & experience. Thinks too much.
Analyzes everything. 

Reviews are meant to catalogue, interrogate, and challenge what I see.

All opinions are just that -- opinions. 

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra JonesPhoto by John Gundy

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra Jones

Photo by John Gundy


Sunny days ☀️
Happy Mother’s Day, Canadians 

#anarchyintheuk
Tangled.

Found in Commercial Street.
#london #spitalfields #streetart
Happy birthday @bonks21 ! If these pictures don’t exemplify our relationship, nothing does. Here’s to this summer’s European adventure which trades Scottish mountains for Parisian staircases.
❤️

Found in High Holborn, London
Just hanging out. 

Found in Commercial Street. 

#london #eastlondon #wheatpaste #streetart
Outside David Garrick’s house, on the banks of the Thames; his Temple to Shakespeare.

#hampton #temple #shakespeare
Saw Hate Radio at @batterseaartscentre - thought some things. You can read them on the blog, link in bio.

#theatre #archive #review #milorau #bac
Saw Book of Mormon the other week. Thought some things. You can read them on the blog- link in bio

📸: Prince of Wales Theatre ceiling
Our appetite and capacity to digest fragmented narrative is expanding.

@jordan.tannahill - Theatre of the Unimpressed 

#reading #theatre #mediums #mediation #experiences

tweets


Uccellini @ The Coronet Theatre

May 04, 2026

A beautiful story about those who are left behind. Uccellini explores what happens to individuals when someone close to them commits suicide — specifically, triplets, one of whom is gone, and the rift that creates, the emptiness. 

The play is performed in Italian with English surtitles, and the translation has clearly done with extreme care — the poetic nature of the languague is not lost, but clearly there for us even in translation. The three performers are all magnetic - they move in space with a smoothness characteristic of continental-trained actors. The body is central, the character exudes from the body with simplicity. 

The production leverages video in a fasciating way — a large square scrim sits close to the front, and acts as the fourth wall of the house (a window) but also as a projection screen, on which we see what they are seeing, both literally (forest) and imaginatively, with foxes and deer captured, projected large over the actors…..their haunting black eyes empty in the black and white night vision recording.  The script offers many questions, and few answers, but for the stunning epithet:

We are here.
This is how we are. 

An absolutely brilliant script from Rosalinda Conti, expertly performed and directed, from lacasadargilla. 

Tags: European Theatre, physical theatre, experimental theatre, new writing, The Coronet Theatre, Review
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