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Kendra Jones

director . writer . dramaturg . instructor
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impel theatre blog

Burgeoning academic.
Creator of things to read & experience. Thinks too much.
Analyzes everything. 

Reviews are meant to catalogue, interrogate, and challenge what I see.

All opinions are just that -- opinions. 

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra JonesPhoto by John Gundy

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra Jones

Photo by John Gundy


Sunny days ☀️
Happy Mother’s Day, Canadians 

#anarchyintheuk
Tangled.

Found in Commercial Street.
#london #spitalfields #streetart
Happy birthday @bonks21 ! If these pictures don’t exemplify our relationship, nothing does. Here’s to this summer’s European adventure which trades Scottish mountains for Parisian staircases.
❤️

Found in High Holborn, London
Just hanging out. 

Found in Commercial Street. 

#london #eastlondon #wheatpaste #streetart
Outside David Garrick’s house, on the banks of the Thames; his Temple to Shakespeare.

#hampton #temple #shakespeare
Saw Hate Radio at @batterseaartscentre - thought some things. You can read them on the blog, link in bio.

#theatre #archive #review #milorau #bac
Saw Book of Mormon the other week. Thought some things. You can read them on the blog- link in bio

📸: Prince of Wales Theatre ceiling
Our appetite and capacity to digest fragmented narrative is expanding.

@jordan.tannahill - Theatre of the Unimpressed 

#reading #theatre #mediums #mediation #experiences

tweets


Hercules @ Theatre Royal Drury Lane

July 24, 2025

I have been excited for this to be a musical since it was a film, well before any development of this production began. So unsurprisingly, this was an absolutely delightful evening; what really worked about the production was the centering of the muses in the story, giving them plenty to do (and honestly, making them the core of the story), and shaping the entire animation-styled world around them. While Hercules and Meg were okay, and Hades squeezes every inch of humour of of the writing, this show was about the muses — and we have no issues with that.

The new songs are alright, and add some needed texture to the production — however what really doesn’t work is the book. Which is honestly unfortunate, but if we’re being honest, who expects a solid book when going to a Disney musical? it isn’t what we’re there for. What we ARE there for is Casey Nicholaw and Tanisha Scott’s stunning choreography replete with contemporary pop-culture references appropriate to the characters. Give them the awards now.

I highly recommend this production for a gleeful, mindless night out. Don’t think so hard, just smile and enjoy.

Tags: Review, Hercules, musical, new musical, new writing, Disney, West End
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