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Kendra Jones

director . writer . dramaturg . instructor
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impel theatre blog

Burgeoning academic.
Creator of things to read & experience. Thinks too much.
Analyzes everything. 

Reviews are meant to catalogue, interrogate, and challenge what I see.

All opinions are just that -- opinions. 

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra JonesPhoto by John Gundy

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra Jones

Photo by John Gundy


Sunny days ☀️
Happy Mother’s Day, Canadians 

#anarchyintheuk
Tangled.

Found in Commercial Street.
#london #spitalfields #streetart
Happy birthday @bonks21 ! If these pictures don’t exemplify our relationship, nothing does. Here’s to this summer’s European adventure which trades Scottish mountains for Parisian staircases.
❤️

Found in High Holborn, London
Just hanging out. 

Found in Commercial Street. 

#london #eastlondon #wheatpaste #streetart
Outside David Garrick’s house, on the banks of the Thames; his Temple to Shakespeare.

#hampton #temple #shakespeare
Saw Hate Radio at @batterseaartscentre - thought some things. You can read them on the blog, link in bio.

#theatre #archive #review #milorau #bac
Saw Book of Mormon the other week. Thought some things. You can read them on the blog- link in bio

📸: Prince of Wales Theatre ceiling
Our appetite and capacity to digest fragmented narrative is expanding.

@jordan.tannahill - Theatre of the Unimpressed 

#reading #theatre #mediums #mediation #experiences

tweets


Sing Street - Enda Walsh @Lyric Hammersmith

July 25, 2025

Note - I saw this in early previews.

The joy in this production is infectious, fuelled by the brilliant young cast, many of whom are making their professional debuts with this production. Built around the same story as the film, Enda Walsh’s adaptation really amps up the energy. There are a few new songs introduced, the best of which are those created for the older brother.

In previews, the production dazzled; the design choices were strong, using the minimalist set and loads of projection to create the space that could alternately be the house, the school, and transform into a concert space as the kids began to feel like rockstars. The pacing in previews was my only real quibble; there is a clear moment of transformation in the script when the band forms. The direction, shape, energy all change — however this shift wasn’t clear enough. It was as if they began too high-energy for that transition and the magic of the band to have its potential impact.

I’m very curious to see if (when?) this transfers and how it evolves.

Tags: Sing Street, Enda Walsh, new writing, new musical, musical, Lyric Hammersmith, adaptations
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