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Kendra Jones

director . writer . dramaturg . instructor
  • Home
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impel theatre blog

Burgeoning academic.
Creator of things to read & experience. Thinks too much.
Analyzes everything. 

Reviews are meant to catalogue, interrogate, and challenge what I see.

All opinions are just that -- opinions. 

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra JonesPhoto by John Gundy

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra Jones

Photo by John Gundy


Sunny days ☀️
Happy Mother’s Day, Canadians 

#anarchyintheuk
Tangled.

Found in Commercial Street.
#london #spitalfields #streetart
Happy birthday @bonks21 ! If these pictures don’t exemplify our relationship, nothing does. Here’s to this summer’s European adventure which trades Scottish mountains for Parisian staircases.
❤️

Found in High Holborn, London
Just hanging out. 

Found in Commercial Street. 

#london #eastlondon #wheatpaste #streetart
Outside David Garrick’s house, on the banks of the Thames; his Temple to Shakespeare.

#hampton #temple #shakespeare
Saw Hate Radio at @batterseaartscentre - thought some things. You can read them on the blog, link in bio.

#theatre #archive #review #milorau #bac
Saw Book of Mormon the other week. Thought some things. You can read them on the blog- link in bio

📸: Prince of Wales Theatre ceiling
Our appetite and capacity to digest fragmented narrative is expanding.

@jordan.tannahill - Theatre of the Unimpressed 

#reading #theatre #mediums #mediation #experiences

tweets


Mamuka @ Off Avignon Festival

August 09, 2025

Mamuka is a magical dance piece for children, performed by two dancers. The piece employs puppetry and papier mache headpieces to support the dancers in creating various movements of different woodland creatures, all centred around mythical fairies.

The choreography was captivating; the young people in the audience (as well as us older people) were drawn into the world created by the dancers and their headpieces, with their physical vocabulary adjusting to create multiple layers of this world.

What was truly enjoyable was that the movement vocabulary wasn’t simplified for children; it used complex imagery and technique based in modern dance, which elevated the performance.

Tags: dance, Review, Off Avignon Festival, new work
← La Lettre - Milo Rau @ Avignon FestivalRomeo & Juliet @ Shakespeare's Globe →
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