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Kendra Jones

director . writer . dramaturg . instructor
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  • About
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impel theatre blog

Burgeoning academic.
Creator of things to read & experience. Thinks too much.
Analyzes everything. 

Reviews are meant to catalogue, interrogate, and challenge what I see.

All opinions are just that -- opinions. 

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra JonesPhoto by John Gundy

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra Jones

Photo by John Gundy


Sunny days ☀️
Happy Mother’s Day, Canadians 

#anarchyintheuk
Tangled.

Found in Commercial Street.
#london #spitalfields #streetart
Happy birthday @bonks21 ! If these pictures don’t exemplify our relationship, nothing does. Here’s to this summer’s European adventure which trades Scottish mountains for Parisian staircases.
❤️

Found in High Holborn, London
Just hanging out. 

Found in Commercial Street. 

#london #eastlondon #wheatpaste #streetart
Outside David Garrick’s house, on the banks of the Thames; his Temple to Shakespeare.

#hampton #temple #shakespeare
Saw Hate Radio at @batterseaartscentre - thought some things. You can read them on the blog, link in bio.

#theatre #archive #review #milorau #bac
Saw Book of Mormon the other week. Thought some things. You can read them on the blog- link in bio

📸: Prince of Wales Theatre ceiling
Our appetite and capacity to digest fragmented narrative is expanding.

@jordan.tannahill - Theatre of the Unimpressed 

#reading #theatre #mediums #mediation #experiences

tweets


Transpose Pit Party: Subverse @ Barbican Pit

November 16, 2025

A short evening of five connected pieces, the Transpose Pit Party bills itself as a cabaret, but felt more like an installation mixed with a concert. Featuring new work by 5 Trans artists, largely song and movement based, the Subverse evening leveraged strong production value through simple use of light and scaffolding, along with a gauze curtain.

The musical production was strong, however what really stood out for me was the innovative use of movement. In particular, during the opening song the beautiful imagery of a shadow who the performer was wrestling down, as if wrestling with others’ opinions of themself, or their own internal demons, was quite striking. Similarly, the movement choices throughout though simple, were highly effective and dramatic, creating tension in the performance.

Tags: Barbican, new writing, new work, Music, Review
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