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Kendra Jones

director . writer . dramaturg . instructor
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impel theatre blog

Burgeoning academic.
Creator of things to read & experience. Thinks too much.
Analyzes everything. 

Reviews are meant to catalogue, interrogate, and challenge what I see.

All opinions are just that -- opinions. 

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra JonesPhoto by John Gundy

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra Jones

Photo by John Gundy


Sunny days ☀️
Happy Mother’s Day, Canadians 

#anarchyintheuk
Tangled.

Found in Commercial Street.
#london #spitalfields #streetart
Happy birthday @bonks21 ! If these pictures don’t exemplify our relationship, nothing does. Here’s to this summer’s European adventure which trades Scottish mountains for Parisian staircases.
❤️

Found in High Holborn, London
Just hanging out. 

Found in Commercial Street. 

#london #eastlondon #wheatpaste #streetart
Outside David Garrick’s house, on the banks of the Thames; his Temple to Shakespeare.

#hampton #temple #shakespeare
Saw Hate Radio at @batterseaartscentre - thought some things. You can read them on the blog, link in bio.

#theatre #archive #review #milorau #bac
Saw Book of Mormon the other week. Thought some things. You can read them on the blog- link in bio

📸: Prince of Wales Theatre ceiling
Our appetite and capacity to digest fragmented narrative is expanding.

@jordan.tannahill - Theatre of the Unimpressed 

#reading #theatre #mediums #mediation #experiences

tweets


Diaspora Inferno: From My Grandmother's Kitchen @ Drayton Arms Theatre

November 20, 2025

A group of women, moving through their own stories in the world, yet with a common thread. Diaspora Inferno explores the common experiences of women across places and times through highly physical and representative work; the piece is experimental in nature, and really pushes the edges of how story is typically told on London stages, leaning instead into an outside-in approach, stepping away from narrative and arguably even structure, yet creating emotional moments of connection for the audience.

The scenes are not evenly powerful, however those that are - notably the actor eating an ice cream, telling us a story of rationed sunshine, is exquisite, and will sit with me for a long time to come. I would love to see this piece develop further to clarify some of the ideas and images, as there is something really compelling and engaging at its core.

Tags: theatre, Review, physical theatre, experimental theatre, new work, drayton arms theatre
← Hansal & Geetal @ Etcetera Theatre (for Voila Festival)Transpose Pit Party: Subverse @ Barbican Pit →
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